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Jan
28
Sun
SUSAN AGLUKARK
Jan 28 @ 7:30 pm

Nunavut’s first ever Juno Award winning Inuk singer/songwriter, Susan calls herself the accidental artist. Susan grew up in Arviat, Nunavut and with “no musical orthodoxy” to draw from, Susan’s early years were spent learning as she was headlining.

Susan’s early writing (The Arctic Rose-1992) was a series of songs drawn from the thing she had left, a life of uncertainty. The past 25 years and the following 7 albums has seen Susan set on a path of personal discoveries, cultural reconnections and personal healing, a very different path than the one she imagined when she left her home. In her singing/songwriting career, Susan is most proud about reaching a place in  her life where she knows she is right where she belongs, singing/songwriting and falling in love with creating.

Susan has garnered 3 Juno awards, received The Order of Canada in 2005 and most recently was awarded the Governor Generals Lifetime Artistic Achievement Award (June-2016).

Susan has performed for HRH Queen Elizabeth, Jean Chrétien, Brian Mulroney, Nelson Mandela, Billy Graham and The Countess Of Wessex. Susan is founder and chair of the Arctic Rose Foundation and is an Advisor on the Collateral Damage Project.

 

THANK YOU TO OUR “WINTER AT KING’S” SPONSORS

JANSON LAW INC.

 

This tour is part of the Atlantic Presenters Association (APA) and RADARTS’ Canada 150 Performance Series. We gratefully acknowledge the support of the Government of Canada. In celebration of the 150+ Anniversary of Confederation, this performance is part of Atlantic Presenters Association’s ‘Canada 150 Performance Series’ in partnership with RADARTS (Réseau atlantique de diffusion des arts de la scène). We acknowledge the financial support of the Government of Canada.

 

 

TICKETS ON SALE NOW!

General Ticket Price: $36

Member Advance Price: $32

Youth: $12

All prices include HST.

 

*Tickets purchased online will be held at the Box Office for pickup.*
Note: You can use your credit card without signing up for a PayPal account.

Click for information about becoming a Member of King’s.

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Feb
4
Sun
ELVIRA KURT & FRIENDS – Girls Nite Out COMEDY FEST
Feb 4 @ 7:30 pm

An Evening of Stand-Up Comedy and Improv
Led by beloved Canadian comic Elvira Kurt, Girls Nite Out has been wowing audiences for 10 years.

This all-female variety show features comedians with Second City roots, who will have you laughing in the aisle over their hysterical stand-up and improv performance.

Please be advised this performance contains occasional use of strong language and mature themes or subject matter. It is intended for mature audiences only.

 

 

THANK YOU TO OUR “WINTER AT KING’S” SPONSORS

JANSON LAW INC.

 

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Feb
24
Sat
NORMA: Metropolitan Opera
Feb 24 @ 2:00 pm

Vincenzo Bellini’s

Norma

This opera is an extraordinary fusion of sublime melody, vocal challenge, and dramatic power. It examines an ageless and archetypal situation: a powerful woman compromises her ideals for love, only to find herself betrayed by her lover. But equally gripping is her relationship with the younger woman who is the new object of her former lover’s attention and in whom Norma sees both a rival and a second self. The title role demands dramatic vocal power combined with the agility and technique of a coloratura singer. It is a daunting challenge that few can rise to: those who have are part of operatic lore.Soprano Angela Meade and mezzo-soprano Jamie Barton star in the Met’s new production of Norma, reprising their acclaimed 2013 portrayal of the title role and Adalgisa, respectively. Tenor Joseph Calleja is Pollione, Norma’s unfaithful lover, and Joseph Colaneri conducts. Sir David McVicar’s evocative production sets the action deep in a Druid forest where nature and ancient ritual rule.

 

The opera is set in Gaul (France) at the beginning of its occupation by the Roman Empire. Almost all of the characters are druids, members of the Gallic priesthood, the only exceptions being the tenors, both of whom are Romans. It is interesting that the Roman Empire, long depicted in European culture as a civilizing force, is here seen as corrupt and exploitative.

 

Norma is perhaps the archetypal bel canto opera, a style of singing that flourished in Italy in the 18th and early 19th centuries. Its principal features are beauty of tone, legato phrasing, and the delivery of florid ornamentation. The score of Norma is characterized by extraordinary melody punctuated by sharp moments of raw drama. The primary functions of the clear orchestral writing are to move the drama along with vigorous rhythm and to inform certain moments with feeling and emotion.

  • Estimated Run Time  3 hrs 4 mins

 

 

Cast

  • Conductor Carlo Rizzi
  • Conductor Joseph Colaneri
  • Norma Sondra Radvanovsky
  • Norma Marina Rebeka
  • Norma Angela Meade
  • Adalgisa Joyce DiDonato
  • Adalgisa Jamie Barton
  • Pollione Joseph Calleja
  • Oroveso Matthew Rose
  • Oroveso Vazgen Gazaryan

 

Creators

Vincenzo Bellini (1801–1835) was a Sicilian composer whose greatest gift was his extraordinary understanding of the human voice. His meteoric career was cut short by his death at the age of 33, shortly after his opera I Puritani triumphed in its Parisian premiere. Felice Romani (1788–1865) was the official librettist of Milan’s Teatro alla Scala. A frequent collaborator of Bellini, he worked with the composer on six operas, and also wrote the libretti for Donizetti’s L’Elisir d’Amore and Anna Bolena, among many other works.

  • Production Sir David McVicar
  • Set Designer Robert Jones
  • Costume Designer Moritz Junge
  • Lighting Designer Paule Constable
  • Composer Vincenzo Bellini

 

TICKETS: $20 General/ $16 Members / $8 Youth

Prices include HST.

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Mar
4
Sun
BLACK UMFOLOSI
Mar 4 @ 2:00 pm
World famous acappella and dance group from Zimbabwe

Black Umfolosi were formed in 1982 by school friends in Bulawayo, Zimbabwe, who named themselves after the Umfolozi Omnyama River in South Africa- to where their ancestors can be traced. In 2009 The Black Umfolosi 5 continue to present their spectacular songs and dances thrilling audiences worldwide with a NEW LINE-UP.

Their performances are energy driven and completely engaging, mixing a great gentleness of spirit and song with an exuberance in dance. Their trademark harmonies mixed with intricate rhythms, clicking and clapping are highlighted during their brilliantly choreographed shows with a full range of movements from subtle to vibrant stomping and leaping! Their famous Gumboot Dances showcase the traditional styles and rituals of the South African mining regions and are a particular crowd pleaser.

The Black Umfolosi 5 also provide workshops and residences in dance, voice, theatre, costume design, poetry, mime and also address various issues affecting society today.

QUOTES

“Their music is fresh and surprising, with typical intricate rhythms, unusual harmonies and interspersed clicking, clapping and shouting, which combine to produce a natural funky and rugged aura” THE ROUGH GUIDE

“It was the best of all the festival, They have an incredible way to sing, to dance, a beautiful presence on the stage. Their simplicity, naturalness and cheerfulness was for us, at the end of the festival a beautiful present. MILAN FESTIVAL JULY 2007

“Their singing is a marvellous blend of rhythm, melody and harmony welded together with enormous complexity, but ending up with a sound that is acting simplicity” F ROOTS

“Marvellous harmonies, spine-tingling gospel singing and bare-torsoed, hard-hatted gumboot dancing” GLASGOW HERALD

 

 

 

TICKETS ON SALE NOW!

General Ticket Price: $36

Member Advance Price: $32

Youth: $12

All prices include HST.

 

*Tickets purchased online will be held at the Box Office for pickup.*
Note: You can use your credit card without signing up for a PayPal account.

Click for information about becoming a Member of King’s.

 

THANK YOU TO OUR “WINTER AT KING’S” SPONSORS

JANSON LAW INC.

Buy Tickets

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Mar
10
Sat
WHO’S AFRAID OF VIRGINIA WOOLF?: National Theatre
Mar 10 @ 2:00 pm
WHO'S AFRAID OF VIRGINIA WOOLF?: National Theatre

Edward Albee’s

Who’s Afraid of Virginia Woolf?

Sonia Friedman Productions present Imelda Staunton (Gypsy, Vera Drake, the Harry Potter films); Conleth Hill (Game Of Thrones, The Producers); Luke Treadaway (The Curious Incident of the Dog in the Night-Time, Fortitude, The Hollow Crown) and Imogen Poots (A Long Way Down, Jane Eyre) in James Macdonald’s new production of Edward Albee’s landmark play, broadcast live to cinemas from the Harold Pinter Theatre, London.

In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

  • Imelda Staunton
  • Conleth Hill
  • Imogene Poots
  • Luke Treadaway

 

TICKETS: $20 General/ $16 Members / $8 Youth

Prices include HST.

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Mar
22
Thu
H’SAO
Mar 22 @ 7:30 pm

Montréal-based band from Chad H’SAO has been capturing the hearts of small audiences and large crowds alike since 2001. The band has always been passionate about sharing its unique blend of modern sound and traditional African musical influences. H’SAO has traveled the world, delivering electrifying performances, launching three innovative albums and, most of all, developing a musical signature that spans several genres and thus transcends the “world music” category.

At first, voices–but what voices!–were their only instrument. Then, brothers Caleb (guitar), Mossbass (bass) and Izra L (keyboard) along with their childhood friend Dono (drums) added musical instruments to their rich and inspired compositions. Today, the self-taught musicians continue to weave the impressive a cappella harmonies that made their fame into their powerful live performances. These seasoned musician-singers have stayed true to their roots, drawing from gospel, soul, R&B, reggae and Chadian music. The result is as skilful and heartfelt as it is unique.

Whether its style is labeled Afro-fusion or Afro-jazz, H’SAO is defined by the strength of its voices and vocal harmonies, its rhythms and its authenticity. Onstage, the band sets itself apart through energetic performances, punctuated by catchy choreography and warm interactions with the audience. This distinctive presence was sought by prominent festivals here and abroad, such as WOMAD (New Zealand), Brisbane Festival (Australia), Queensland (Australia), Vancouver Folk Music Festival,Francofolies, Luminato (Toronto), Montreal International Jazz Festival, Nuits d’Afrique, Festival d’été de Québec, Coup de cœur francophone, Awesome Africa (Afrique du Sud), FrancoFête (Moncton). Besides touring Europe, Africa, Asia, Australia and the Americas, the band made appearances at several noteworthy events. H’SAO notably played before the Queen of England on Canada Day, at the Francophonie games, with the Orchestre symphonique de Montréal, at Québec City’s 400th anniversary and at the Governor General’s Performing Arts Awards Gala.

Ten years after the release of its self-titled album and four years after Vol 235, the band launched Oria in 2013. The level of social commitment expressed on this third album is a tribute the impressive journey that lead up to its creation. Nominated for World Music Album of the Yearat the Gala de l’ADISQ, Oria is an invitation to rediscover the boundless vocal talent of H’SAO and to experience a more subdued, masterful and varied instrumental universe. Its biting and poignant songs address peace, social justice, religion, love and other universal themes. The band will tour Canada and the United States throughout 2014 while simultaneously preparing its upcoming acoustic record.

 

 

 

This tour is part of the Atlantic Presenters Association (APA) and RADARTS’ Canada 150 Performance Series. We gratefully acknowledge the support of the Government of Canada. In celebration of the 150+ Anniversary of Confederation, this performance is part of Atlantic Presenters Association’s ‘Canada 150 Performance Series’ in partnership with RADARTS (Réseau atlantique de diffusion des arts de la scène). We acknowledge the financial support of the Government of Canada.

 

 

TICKETS ON SALE NOW!

General Ticket Price: $34

Member Advance Price: $30

Youth: $12

All prices include HST.

 

THANK YOU TO OUR “WINTER AT KING’S” SPONSORS

JANSON LAW INC.

Buy Tickets

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Mar
31
Sat
TOSCA: Metropolitan Opera
Mar 31 @ 2:00 pm

Giacomo Puccini’s

Tosca

Sir David McVicar’s “smashing new production” is “a grand triumph” (Huffington Post), featuring an exciting cast led by soprano Sonya Yoncheva in the title role of the fiery diva and Vittorio Grigolo as her passionate lover, Cavaradossi. The pair are “youthful, ardent, and innocent … their duets electric, their kisses hot and numerous” (Wall Street Journal). Yoncheva’s sound is “richly textured and shimmering,” and “Grigolo’s Mario is a true hothead … complete with thrilling top notes” (New York Times). Željko Lučić is “an imposing figure with a voice to match” (Wall Street Journal) as the villainous police chief, Scarpia, and Emmanuel Villaume conducts.

  • Estimated Run Time 2 hrs 53 mins

Conductor Emmanuel Villaume

Conductor Gareth Morrell

Conductor Bertrand de Billy

Tosca Sonya Yoncheva

Tosca Jennifer Rowley

Tosca Anna Netrebko

Cavaradossi Vittorio Grigolo

Cavaradossi Marcelo Álvarez

Scarpia Željko Lučić

Scarpia Michael Volle

Sacristan Patrick Carfizzi

Premiere: Teatro Costanzi, Rome, 1900. Puccini’s melodrama about a volatile diva, a sadistic police chief, and an idealistic artist has offended and thrilled audiences for more than a century. Critics, for their part, have often had problems with Tosca’s rather grungy subject matter, the directness and intensity of its score, and the crowd-pleasing dramatic opportunities it provides for its lead roles. But these same aspects have made Tosca one of a handful of iconic works that seem to represent opera in the public imagination. Tosca’s popularity is further secured by a superb and exhilarating dramatic sweep, a driving score of abundant melody and theatrical shrewdness, and a career-defining title role.

 

TICKETS: $20 General/ $16 Members / $8 Youth

Prices include HST.

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Apr
27
Fri
DON’T DRESS FOR DINNER – Annapolis District Drama Group
Apr 27 @ 7:30 pm

When Jacqueline announces she is off for to visit her mother, an ideal opportunity presents itself for her husband Bernard to inveigle his chic, Parisian mistress Suzanne into their country cottage for the weekend. Why not invite along his best friend Robert too, as an alibi? And to make the arrangements easier, he’s hired a Cordon Bleu cook to rustle up the necessary gourmet delights.

The cook? Ah, that’ll be street-wise Suzette. And her jealous husband, George? Well, he’s a BIG fella! And did we mention that elegant Jacqueline is having a torrid secret affair with the rakish Robert?

Throw in a dash of Chanel and a glug or two of Cointreau – the stage is set for a hilarious, fast moving farcical romp of mistaken identities, illicit trysts, quick-thinking improvisations, bribery and seduction, as the plans for passion turn into a nuptial nightmare!

 

Written by Marc Camoletti, and adapted by Robin Hawdon, “Don’t Dress for Dinner” is brought to King’s Theatre by the Annapolis District Drama Group this spring.

  • Director – Simon Bonnington
  • Bernard – Tim Danttouze
  • Jacqueline – Colleen Rowland
  • Robert – Simon Bonnington
  • Suzette – Alexi Payzant
  • Suzanne – Miriam Orlando
  • George – Scott McQuillin

Performances:

  • Friday April 27th at 7:30pm
  • Saturday April 28th at 7:30pm
  • Sunday April 29th at 2:00pm

Tickets: Door $16, Advance $14, Youth/Student $10

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Apr
28
Sat
DON’T DRESS FOR DINNER – Annapolis District Drama Group
Apr 28 @ 7:30 pm

When Jacqueline announces she is off for to visit her mother, an ideal opportunity presents itself for her husband Bernard to inveigle his chic, Parisian mistress Suzanne into their country cottage for the weekend. Why not invite along his best friend Robert too, as an alibi? And to make the arrangements easier, he’s hired a Cordon Bleu cook to rustle up the necessary gourmet delights.

The cook? Ah, that’ll be street-wise Suzette. And her jealous husband, George? Well, he’s a BIG fella! And did we mention that elegant Jacqueline is having a torrid secret affair with the rakish Robert?

Throw in a dash of Chanel and a glug or two of Cointreau – the stage is set for a hilarious, fast moving farcical romp of mistaken identities, illicit trysts, quick-thinking improvisations, bribery and seduction, as the plans for passion turn into a nuptial nightmare!

 

Written by Marc Camoletti, and adapted by Robin Hawdon, “Don’t Dress for Dinner” is brought to King’s Theatre by the Annapolis District Drama Group this spring.

  • Director – Simon Bonnington
  • Bernard – Tim Danttouze
  • Jacqueline – Colleen Rowland
  • Robert – Simon Bonnington
  • Suzette – Alexi Payzant
  • Suzanne – Miriam Orlando
  • George – Scott McQuillin

Performances:

  • Friday April 27th at 7:30pm
  • Saturday April 28th at 7:30pm
  • Sunday April 29th at 2:00pm

Tickets: Door $16, Advance $14, Youth/Student $10

(Prices include HST)

Buy Tickets

200 tickets remaining.

C $14.00
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Apr
29
Sun
DON’T DRESS FOR DINNER – Annapolis District Drama Group
Apr 29 @ 2:00 pm

When Jacqueline announces she is off for to visit her mother, an ideal opportunity presents itself for her husband Bernard to inveigle his chic, Parisian mistress Suzanne into their country cottage for the weekend. Why not invite along his best friend Robert too, as an alibi? And to make the arrangements easier, he’s hired a Cordon Bleu cook to rustle up the necessary gourmet delights.

The cook? Ah, that’ll be street-wise Suzette. And her jealous husband, George? Well, he’s a BIG fella! And did we mention that elegant Jacqueline is having a torrid secret affair with the rakish Robert?

Throw in a dash of Chanel and a glug or two of Cointreau – the stage is set for a hilarious, fast moving farcical romp of mistaken identities, illicit trysts, quick-thinking improvisations, bribery and seduction, as the plans for passion turn into a nuptial nightmare!

 

Written by Marc Camoletti, and adapted by Robin Hawdon, “Don’t Dress for Dinner” is brought to King’s Theatre by the Annapolis District Drama Group this spring.

  • Director – Simon Bonnington
  • Bernard – Tim Danttouze
  • Jacqueline – Colleen Rowland
  • Robert – Simon Bonnington
  • Suzette – Alexi Payzant
  • Suzanne – Miriam Orlando
  • George – Scott McQuillin

Performances:

  • Friday April 27th at 7:30pm
  • Saturday April 28th at 7:30pm
  • Sunday April 29th at 2:00pm

Tickets: Door $16, Advance $14, Youth/Student $10

 

Buy Tickets

200 tickets remaining.

C $14.00
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