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Calendar

Aug
25
Fri
TWIN KENNEDY – Contemporary Country with a Celtic Twist
Aug 25 @ 7:30 pm

Hot contemporary Country with a Celtic twist from West Coast sisters Carli and Julie Kennedy.

Their musical bond is as strong as their small town roots. They have been making music together since they could talk. Born and raised in the small town of Powell River, Twin Kennedy grew up perfecting their sibling harmonies and dynamic live performances, while making their name known throughout their small community as a family band.

Growing up in such a musically infused family, it is no wonder that these sisters crafted their sound through a unique fusion of their background in country, folk, jazz and classical music. With years of classical training, including their Bachelors Degrees in Music Performance from the University of Victoria, the sisters have found their home in country music. With Carli on vocals and guitar, and Julie on vocals and violin, these petite powerhouses will fill your soul with joy and warmth through their seamless harmonies and heartfelt songwriting. No bond compares to that of sisters, and the same is to be said about the blend of their kindred voices.

“Two voices make one singular sensation!” Monday Magazine

With two EP’s in their back pocket as Carli & Julie Kennedy, these sisters came into 2015 making a splash in the Canadian country music scene, releasing their debut LP as Twin Kennedy, which earned them two Canadian Country Music Award nominations, a Western Canadian Music Award nomination for Producer of the Year, and two Vancouver Island Music Award wins for Song of Year and Country Recording of the Year. Produced by multiple CCMA and JUNO award winning artist George Canyon and renowned West Coast producer Graham Sharkey, It’s a Love Thing is a beautifully honest account of the ebb and flow of the navigation through love and life. From the uplifting opening track “Get Back Up Again” to the heartbreaking vulnerability of “That’s What I Should Have Said” Twin Kennedy has compiled a track listing that is self-described as a true extension of themselves. Their latest single, “Secondhand Gold” was the Grand Prize Award winner in the Country category of the 2015 John Lennon Songwriting Contest and the 2016 Lennon Award winner for Best Country Song.

“Nothing Short of Awesome!” Cashbox Magazine

Music is as inseparable from their lives as they are from each other, “Everything starts as a duo. We write together, rehearse together, live together, hang out together, tour together. So much togetherness!” And together, these sisters have commanded some of the top stages in Canada and beyond including performances at Canadian Music Week, Canada Place, Sunfest, Rockin’ River Music Festival, Vancouver Island Exhibition, the Vancouver Olympics, and the Live at Heart Festival in Sweden.

“…MAN could they play their instruments! These two are true pioneers in the folk, jazz and Celtic genres. Carli is bouncy and effortless on her acoustic while Julie works the fiddle like Jimmy Hendrix on an electric guitar.” Lithium Magazine

With ten BCCMA Award nominations since 2012, Carli and Julie have been a highly recognized duo throughout the West Coast music community. Most recently, Twin Kennedy was nominated for Roots/Canadiana Group of the Year at the 2016 BCCMAs. When they’re not touring from town to town on the Trans Canada, Twin Kennedy is often found writing and performing with Music City’s best. They currently split their time between their homes in Victoria, BC and Nashville, TN.

Now is the time for Twin Kennedy. Expanding from their West coast roots, the twins have already traveled from coast to coast, bringing It’s a Love Thing to country radio across Canada. With an album launch and two cross-country tours in the books, the past two years have seen a transformation for the Kennedy sisters. New year, new name, new album – country music has found its newest sweethearts in Twin Kennedy.

“These two girls are 100% made for the stage and made to entertain!” Nashville Music Examiner

 

 

 

 

 

 

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Aug
26
Sat
DEBRA SAVOY – Spiritual Medium
Aug 26 @ 7:00 pm

CANADIAN SPIRITUAL MEDIUM DEBRA SAVOY

“Debra Savoy comes from a long line of Spiritual Mediums. Her love for helping heal people is enhanced by her abilities to see, hear and feel Spirit. She is a proud descendant of her Acadian/Scottish/Indigenous heritage and is excited to have the opportunity to return to King’s Theatre on Saturday, August 26th at 7pm.

Debra comes from generations of healers and has a background in literature and management. After 16 years of owning her own bookstore and developing her gift as a Medium, Deb found herself in a position to either continue on with the family business or follow her inherited calling to become a Spiritual Healer and make a difference in people’s lives.

“Many people that suffer from emotional distress and anxiety without the knowledge or means to ease the pain. Debra started this business to promote the knowledge of spiritual growth, health and wellbeing to those seeking out spiritual guidance.

“There are so many things in life that can weigh on us, hold us back and keep us from living to our full potential. It is also very important to know that there are ways to overcome these things that weigh so heavily on us.

“Debra travels doing large venues, from coast to coast. She has a private practice in the 1000 Islands and her home town of Ottawa and also has a Mentorship Program to help those see their true potential in the healing world. She is also in the process of compiling her life experiences with the Spirit world in her memoirs, soon to be released.”

A KING’S THEATRE RENTAL

CONTACT INFORMATION

You can connect with her through Facebook at:

www.facebook.com/allabouthealing1

www.facebook.com/notes/canadian-spiritual-medium-debra-savoy/testimonials/852559548115974
By phone at: 613-876-5729
Email: allabouthealing1@gmail.com
or Website: www.debsavoy.ca

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Aug
27
Sun
BIZET’S THE PEARL FISHERS – Met Opera
Aug 27 @ 2:00 pm

THE PEARL FISHERS (LES PÊCHEURS DE PERLES)

The Metropolitan Opera Live in HD

Composer: Georges Bizet

Soprano Diana Damrau stars as Leïla, the beautiful priestess pursued by rival pearl divers competing for her affection. Tenor Matthew Polenzani and baritone Mariusz Kwiecien are her suitors, who sing the rapturous duet “Au fond du temple saint,” adored by opera fans worldwide. Director Penny Woolcock explores enduring themes of love, betrayal, and vengeance in a production that vividly depicts the mystical wonder of Southeast Asia, and conductor Gianandrea Noseda breathes new life into Bizet’s lush score.

2 hour, 47 minutes with 1 intermission

 

 

 

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Sep
2
Sat
SHIRLEY JACKSON and her Good Rockin’ Daddies
Sep 2 @ 7:30 pm

Shirley Jackson & Her Good Rockin’ Daddys fuel the dance floor with a mix of horn-powered east coast blues. The Good Rockin’ Daddys hail to a sound inspired by the early years of Rock & Roll when horn sections were an integral part of the sound of a swingin’ and rockin’ good time and their music is stylized by Jackson’s own song writing and arranging.

 

 

Shirley Jackson -Vocals, tenor sax
Dawn Hatfield – Baritone Sax
Dave Harrison – trumpet, flugel horn
Tom Crilley – guitar
Jef Wirchenko – bass
Ainslie Jardine – drums.

Shirley Jackson is the Recipient of the Toronto Maple Blues Award for Horn Player of the Year in 2003.

 

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Sep
5
Tue
TOMMY’S HONOUR – Golf Tournie Special Film
Sep 5 @ 7:30 pm

King’s Film Society Special Presentation

A powerful historic drama about the world’s oldest golf tournament

Tommy’s Honour

Tuesday, Sept. 5, 7:30 pm

Set against the early days of the sport and stunning landscape of Scotland, Tommy’s Honour is based on the intimate and powerfully moving true story of the relationship between “Old” Tom Morris and “Young” Tommy Morris, the dynamic father-son team who ushered in the modern game of golf.

As their fame grew, Tom and Tommy, Scotland’s Golf Royalty, were touched by drama and personal tragedy. At first matching his father’s success, Tommy’s talent and fame grew to outshine his father’s accomplishments as founder of the Open Championship in 1860, his stellar playing record, and his reputation as the local caddie master, greenskeeper and club & ball maker.  In contrast to his public persona, Tommy’s inner turmoil ultimately led him to rebel against the aristocracy led by The Royal and Ancient Golf Club of St. Andrews, and the parents who shunned his passionate relationship with his girlfriend-then-wife Meg Drinnen.

Historic Drama/102 min.

Rated PG

Director: Jason Connery

Cast: Peter Mullan, Jack Lowden, Ophelia Lovibond, Sam Neill

“Tommy’s Honour is a beautiful tribute to the game. I felt like we were dropped out of a time machine and given the chance ‘to feel’ what golf was like over a century and an half ago. It’s a film that takes you into the soul of the game. Remarkably well done and enjoyable on every level!”

— Bill Macatee, CBS Sports

“An engrossing and accessible celebration of the game’s modern origins, enhanced by striking locations and a standout cast, led by Scottish actors Peter Mullan and Jack Lowden.”

–The Hollywood Reporter

Awards:

2017 Palm Springs International Film Festival – Official Selection

2016 BAFTA Scotland – Winner, Best Feature Film

2016 BAFTA Scotland – Nominated, Jack Lowden, Best Actor, Feature Film

2016 Edinburgh International Film Festival / Opening Night Gala

 

 

Tickets: $10 Adult, $9 with Film Buff Card, $8 Youth.

All prices include HST.

General admission seating.

Doors open 45 minutes before showtime.

 

Sep
8
Fri
JOEL & BILL PLASKETT – Golf Tee-Off Concert
Sep 8 @ 7:30 pm

Multiple JUNO and ECMA Award-winning artist JOEL PLASKETT returns to King’s Theatre to open the 9th Annual Tournament of King’s!

This celebrated Canadian musician has built a successful career on his own terms, whether as a rocker with his band The Emergency, or a singer-songwriter playing solo gigs. He’s built a career on touring Canada, singing unique, original tunes. And he’s a King’s Theatre audience favourite.

SOLIDARITY: The debut album from BILL AND JOEL PLASKETT

While Canadian music fans know Joel Plaskett. Multiple JUNO Award winning songwriter. Multiple times on the Polaris Music Prize Short List. Sold out clubs and concert halls from one side of the country to the other.

But in 2017 he’ll be sharing the spotlight with his earliest musical influence- his father, Bill.

The album is a powerful collection of original and traditional songs, reflecting the duo’s individual journeys and personal politics.

From the introspective opening track, Dragonfly, a song about a paranormal experience that Joel had, to On Down the River, Bill’s closing track about leaving his home in England, the album is grounded in folk music but informed by rock and roll history.

Solidarity is a surprising and unique album, full of strong guitar playing and thoughtful, accessible songs. An excellent addition to the Plaskett catalogue and hopefully the first of many for the Plasketts.

 

 

 

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Sep
9
Sat
GOLF FOR KING’S – 9th Annual Tournament
Sep 9 all-day

9th Annual Tournament of King’s 2017

Friday September 8th:

Tee off concert at King’s Theatre with JOEL & BILL PLASKETT

Saturday September 9th:

Tournament of King’s at Annapolis Royal Golf Club

 

One of the most popular tournaments in the Annapolis Valley, Tournament of King’s fills up quickly.  Over the past eight years the tournament has grown to be one of the most successful golf events in the region.  It’s now the major annual fundraiser for King’s Theatre.  With over $8,000 worth of prizes awarded every year, everyone is a winner!

Registration Form 2017

 

2017 Celebrity Golfer: Cyril Lunney of CTV Atlantic

We’re thrilled to welcome this year’s celebrity golfer, CTV Morning Live’s funnyman CyrilLunney. A fearless host willing to do just about anything in the pursuit of entertainment, Cyril has driven a race car, jumped out of an airplane, played basketball with the Harlem Globetrotters and fed a mountain lion.

 

Sponsorship Opportunities

Get together with your clients, co-workers and friends and join us on Saturday September 9, 2017 at the Annapolis Royal Golf and Country Club for a memorable 18 holes of golf in support of King’s Theatre.

Why not raise your community profile and become a sponsor? Tournament of King’s is always a sell-out. Last year we raised $19,000 (net) and thousands of dollars in prizes were awarded! Our tournament sponsors return year after year to be part of this signature event. We have a variety of categories available.

About King’s Theatre

King’s Theatre is a 220-seat performing arts venue – one of the oldest cultural institutions in the province of Nova Scotia, and the centre for performing arts in the Annapolis Valley. The Theatre serves a catchment area of around 10,000 residents and is home to the Annapolis District Drama Group, the King’s Film Society, and the King’s Art Gallery. King’s presents a year round program of live performing arts and film screenings. The live arts performance schedule is an eclectic mix that includes music, theatre, dance, comedy and spoken word. The Theatre presents national and internationally acclaimed artists as well as regional and local performing artists. Films include international cinema presented by the King’s Film Society and first-run movies for family and youth audiences.

King’s Theatre is committed to:

• maintaining ticket prices which keep the arts accessible to area residents of all ages;
• operating a high calibre performance and arts venue available to local, national, and international artists and companies;
• offering a reasonably-priced space option for rural community groups, as well as local business, education and arts and culture organizations;
• enriching the lives of our community children and youth through outreach programs.

King’s Theatre 209 • St George Street • Box 161 • Annapolis Royal • Nova Scotia • B0S 1A0
902-532-7704

golfkingstheatre@gmail.com

Facebook Logo     Check out the photos of last year’s event at facebook.com/TournamentofKings

Many thanks to all who make the Tournament of King’s such a success!

Sep
15
Fri
KAHA:WI DANCE THEATRE: Requickening
Sep 15 @ 7:30 pm

Provoking, conceptual and visceral Re-Quickening is a timely call for reawakening the intact feminine. Through bold imagery, sound and embodied Indigenous narratives, it is a re-affirmation of life and sovereignty of female voice and body.

Re-storying into balance Re-Quickening is a new women’s renewal ceremony. Conceived through an Indigenous creation process, it’s a spiritual resurgence, a piecing together of shards of knowledge, tipping colonialism on its head. The performance touches and moves forward through themes of dislocation from land, body and voice, the history of violence against Indigenous women since contact, residential schools, assimilative process of the Indian Act towards reclaiming women’s medicine, power and connection to land and creative force.

Re-Quickening is led by a powerhouse team of women collaborators: Santee Smith, Monique Mojica, Marina Acevedo (MX), Frances Rings (AU), Louise Potiki-Bryant (NZ), Bianca Hyslop (NZ), Nancy Wijohn (NZ) guided by the words of Leanne Simpson, Christi Belcourt, Alva Jamieson, Leigh Smith and Marie Campbell.

 

 

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Sep
17
Sun
HATFITZ & CARA
Sep 17 @ 7:30 pm
HATFITZ & CARA

“Beautiful, raw and exciting” “

Hat Fitz is a “veteran” wild man of the blues scene in Australia.  He has a record 18 straight appearances at Byron’s East Coast Blues and Roots Festival, a record that is not likely to ever be broken, and one which bears testimony to his amazing live performances and popularity with festival goers.

Irish-born Cara Robinson draws on her soul background (she’s toured Europe and the United States with singers such as Jamiroquai and the hugely popular Corinne Bailey-Rae), and although blessed with a sensational voice she was not content to be labelled as ‘just a singer’. She has taken to drumming duties as well as washboards, flute and tin whistle, sometimes all at once.

 

“Aussie bluesman and Irish Songstress get married, form a band and make great music together. This shabby hill country blues oozes cool”.
 Guitar & Bass Magazine

“Covering a staggering array of instrumentation, the duo embellish impeccable rootsy originals & Robinson shows she can belt it out too.” Classic Rock Magazine

Classic Rock Heavy Rotation: “Friday Night” … More soulful seductive blues rock. The perfect soundtrack to a laid back Sunday afternoon.”

Get Ready To Rock “this album is a celebration of everything that is good about contemporary roots music, so forget the labels and just enjoy. *****

“Cara Robinson’s addictive voice is something that fans of roots music need in their lives” Guitarist Magazine

“With Wiley Ways, Hat Fitz and Cara Robinson have crafted as genuine a blues record as you can hope to find in this day and age – simple, powerful, full of the inherent realism we’ve come to expect from these two, a stellar effort.” Samuel J. Fell Rolling Stone

“Beautiful, raw and exciting” Jeff Lang

“A nostalgia act with a future” Classic Rock

“If these don’t move you, nothing will” Phil Jackson BITS

“Contemporary but at the same time as old as the hills” American Roots

“They pack more energy, emotion and sheer musical exuberance into one song than most manage in a whole career.” Spiral Earth, UK

“Aussie bluesman Hat Fitz and Irish-born folksinger Cara Robinson are a striking pair. He is a giant raggedy-bearded man, maybe the lost member of ZZ Top who lives deep in the woods and eats anything that moves. She is a petite blonde, who barely reaches his shoulders. He has a deep, gruff Howlin’ Wolf-esqe voice while she dances with angels in her vocal. He plays wonderful resonator guitar. Her instrument is that sweet and soulful voice. It’s all she needs…” 
Blues & Soul

WILEY WAYS by HAT FITZ & CARA voted Blues Album of The Year 2012 by the Australian Blues Awards and Spiral Earth magazine. Buy on iTunes or Bandcamp or The Planet Company (Australia)

 

 

 

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Sep
23
Sat
DAVID GILMOUR Live at Pompeii
Sep 23 @ 7:30 pm

45 years after Pink Floyd’s David Gilmour filmed ‘Live At Pompeii’ in the legendary Roman Amphitheatre there, he returned for two spectacular shows, part of his year-long tour in support of his No.1 album ‘Rattle That Lock’. The performances were the first-ever rock concerts for an audience in the stone Roman amphitheatre, and, for two nights only, the 2,600 strong crowd stood exactly where gladiators would have fought in the first century AD.

‘David Gilmour Live At Pompeii’ is an audio-visual spectacle, featuring lasers, pyrotechnics and a huge circular screen on which specially-created films complement selected songs, but paramount above all is the astonishing music and stellar performances from an all-star band. The show includes songs from throughout David’s career, as well as many Pink Floyd classics, including ‘One Of These Days’, the only song that was also performed at the band’s 1971 show.

Both concerts also saw very special performances of ‘The Great Gig In The Sky’ from ‘The Dark Side Of The Moon’, which David rarely plays as a solo artist. This concert performance film includes highlights from both shows, filmed in 4k by director Gavin Elder.  ‘David Gilmour Live At Pompeii’ shows an artist at the top of his artistic game, performing incredible material with his world-class band, in a unique setting, on one very special occasion.

Songs include the title tracks of his two most recent No. 1 solo albums: Rattle That Lock and On An Island, as well as other solo and Pink Floyd classics, including Wish You Were Here and Comfortably Numb.

The cinema project is fully endorsed by David Gilmour who will support across his marketing channels: 2.5m fans on Facebook, 42.5k followers on Twitter, 105k followers on Instagram The project will also receive exposure through the official Pink Floyd channels including their Facebook page of 29m fans.

The ‘David Gilmour Live at Pompeii’ concerts received rave reviews from fans and critics, including 5 stars in The Guardian.

 

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Sep
26
Tue
ALEX CUBA
Sep 26 @ 7:30 pm

Alex Cuba is a Latin Grammy/Juno winner, singer-songwriter who is not tied to tradition; Alex has a vast musical vision. His sugarcane-sweet melodies, pop-soul hooks and powerful guitar riffs, relinquish a conventional stereotype that exemplifies much of the Latin music landscape. Collaborating with artists such as: Nelly Furtado, Juan Luis Guerra, Juanes and Ron Sexsmith, just to name a few.

Born Alexis Puentes in Artemisa, Cuba, was immersed in music at a very young age. Being in the family business since the early age of 4. This is when he joined his father (respected guitarist and teacher Valentin Puentes), and a group of 24 guitarists in a performance aired on Cuban national TV. Alex then went on to study guitar and bass.

In 1999, Alex moved to Vancouver, B.C where he recorded an album titled “Morumba Cubana” alongside his twin brother Adonis, as The Puentes Brothers. Alex then went on to record his solo debut album “Humo De Tobaco” in which earned him a Juno award for World Music Album of the Year in 2006. In 2007, Alex released “Agua Del Pozo” which also earned him another Juno award for World Music Album of the Year in 2008. From there, Alex released his third album, a self-titled project “Alex Cuba” in 2009.

The album features his first ever English track titled “If You Give Me Love”. The album gained great recognition on an international level. In 2010, Alex took home the award for Best New Artist at the 2010 Latin Grammy Awards, where it was also nominated for Best Male Pop Vocal Album. It also followed a nominated for Best Latin Pop Album at the 53rd Annual Grammy Awards and in 2011 Alex took home a BMI Latin Award for his songwriting on Nelly Furtado’s #1 Spanish hit “Manos Al Aire”.

In 2012, Alex released his fourth album “Ruido En El Sistema”, which Alex received his second Socan Hagood Hardy Award for outstanding achievement in Jazz and World Music. He also won his second Latin Grammy Award – this time as a songwriter. Alex alongside his co-writer Yoel Henriquez received the award for Best Tropical Song for the single “Toma Mi Vida” from Milly Quezada’s album Aqui Estoy Yo. In 2013 He again brought home a Latin Grammy for the  video Eres Tu from Ruido En El Sistema, a video produced entirely in his hometown of Smithers.

Songwriting was the focus for the latest album “Healer” that was recorded in New York,  USA and Victoria, Canada. Using a live rhythm section the songs take on a live appeal and Alex traded in horns for guitars and vocal harmonies that take Alex back to his roots. There are five duets with singer-songwriters, five being Canadian, Ron Sexsmith, David Myles, Alejandra Ribera and Kuba Oms as well as New Yorker Anya Marina, who he met on a songwriting retreat in Tulum Mexico. It is an upbeat, acoustic soul album full of optimism and reality as Alex always has a silver lining on melancholy of any form.

Still based in Smithers, Alex Cuba has put together a four piece band of Ian Olmstead on Bass, Jake Jenne on Drums and Jose Sanchez on percussion. Ian and Jake, both from Smithers have known Alex since their high school years and Cuban expat Jose has toured previously supporting the album Agua del Pozo. Coming together for this latest project highlight the songs with lots of melody, groove and vocal harmonies.

 

 

 

 

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Sep
30
Sat
SANCTUARY
Sep 30 @ 7:30 pm

Sanctuary is a musical trio based in Halifax. They have established a unique form of contemporary music that is rich, intense and lyrical. Much of their music is based on Gregorian chant but that is merely a point of departure –they transcend these ancient materials using improvisation, contemporary music and extended techniques, to create a new form of contemplative plainsong for the 21st century.

Together, bass clarinetist Jeff Reilly, cellist Christoph Both and organist Peter-Anthony Togni have developed and refined a unique sound of immense dynamic and tonal range. The members of Sanctuary are dedicated to live performance and the trio re-defines accepted traditions of presentation, making a Sanctuary concert a unique contemplative experience.

“Completely addictive… this is perfect chill-out music whose subtle atmospherics and unashamed quest for beauty make it far more compelling than such a description normally implies” – The Indepedent on Sunday, UK​

“Music of grace and power, shadows and light, a plainsong for the 21st century”

“The virtuoso clarinetist Jeff Reilly extends his cadenzas across the history of sound, from monotony to modernism, in a performance that is dominant and often hypnotic”
— Norman Lebrecht

 

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Oct
7
Sat
SARAH HAGEN – Classical Piano
Oct 7 @ 7:30 pm

“Hagen is one of the most expressive piano players that I have ever seen perform…”

Canadian pianist Sarah Hagen has performed in concert halls and has been heard on broadcasts throughout North America and Europe. Awarded as the British Columbia Touring Council’s 2015 Touring Artist of the Year, and mentioned by The Guardian (Charlottetown) as the Best Classical Performance of 2014, her interpretations have been described as “outstandingly inventive” [University of Waterloo Gazette], ”played flawlessly” [ReviewVancouver] and “with great sensitivity and heart.” [Vernon Morning Star]

A visionary and an idealist, Sarah presents conceptually innovative performances, involving photography, dance and spoken word. She is Artistic Director for Pro’ject Sound, a performance project involving live piano with large-scale projected images. Her collaboration “Exultation” with Canadian Slam Poetry Champion Brendan McLeod explores Rachmaninoff’scomplete Opus 32 Preludes through poetry and storytelling, and premiered to critical acclaim in February 2017.

An avid collaborator, Sarah has performed with cellist Ariel Barnes, violinist Rachel Barton Pine, violist Nicolò Eugelmi, cellist Phillip Hansen, violinist Robert Uchida, tenor Benjamin Butterfield, soprano Barbara Livingston, Trio Accord, Ballet Victoria, the Emily Carr String Quartet, the Bergmann Piano Duo, jazz pianist Søren Bebe, hornist Allene Hackleman, and clarinettist Keith MacLeod, among many others. Sarah has appeared as soloist with the Victoria Symphony under the baton of Mei-Ann Chen, the Kitchener-Waterloo Symphony conducted by Mark Skazinetsky, the West Coast Symphony Orchestra with conductor Bujar Llapaj, the Symphony Orchestra of the Pacific with conductor Arthur Arnold, and the Nanaimo Chamber Orchestra. As a First Prize Winner in the 2013 Bradshaw & Buono International Piano Competition, Sarah was awarded the opportunity to perform solo at New York City’s Carnegie Hall in May 2013. Her debut solo album, Glass House Dancing, was nominated for Classical Recording of the Year at the 2009 Western Canadian Music Awards.

Sarah has been been heard nationally on CBC Radio 2’s In Concert in a live recording with violinist Joan Blackman and cellist Ariel Barnes. She was also featured in a live recording and discussion of Schumann’s Papillons on CBC Radio One’s North by Northwest with host Sheryl MacKay. In December 2013 she released her second album, Devoted: Music of Robert & Clara Schumann, featuring solo piano works and Clara Schumann’s Romances, Opus 22 with violinist Martin Chalifour, concertmaster of the Los Angeles Philharmonic. In Helsingborg, Sweden in 2006 she recorded with Swedish cellist Marit Sjödin, creating Concealed Diamonds, an album of masterworks for cello and piano.

Sarah’s primary teachers and mentors have been Jamie Parker, Glen Montgomery, Gregory Chaverdian, and Christine Purvis. She has completed five residencies at the Banff Centre for the Arts and enjoyed two terms there as collaborative pianist.

During her years on the west coast of Canada, Sarah founded nine concert series, curating each one individually, and inviting artists from across Canada and around the world to share the stage with her. She has toured throughout Sweden numerous times with cellist Marit Sjödin, violinist Ian Peaston, and Per Johansson, principal clarinet of the Helsingborg Symphony Orchestra. Other international concerts of note include a recital at DePaul University with Oto Carrillo, hornist with the Chicago Symphony Orchestra, a performance of Schumann’s Piano Quintet in Darmstadt, Germany with members of the Frankfurt Radio Symphony, a performance at Carnegie Hall with Polish flautist Krzysztof Kaczka, and concerts as part of the Schlern International Music Festival in northern Italy.

Sarah premiered her one-woman musical comedy show to critical acclaim in the summer of 2016, touring it to various Canadian fringe festivals. Described as “one of the best hours I’ve ever spent at the Fringe” [The Coast (Halifax)], “Perk up, pianist!” tells the tale of a touringclassical musician remaining optimistic in the midst of challenging and ridiculous situations. Of the show’s debut at the Toronto Fringe Festival, Montreal Rampage wrote, “Hagen reminds us the beauty of how an honest solo performance can make you so easily fall in love with its performer.”

In addition to writing wine reviews for her blog, “ARTIST WINES! – Uncorking musician-priced cellar secrets,” Sarah is an enthusiastic tap dancer. She currently resides in Toronto.

Sarah’s motivation is the belief that music has the power to be a window into our souls, regardless of our age or musical knowledge.

 

“Hagen is one of the most expressive piano players that I have ever seen perform…it was immediately apparent that this would be a piano concert beyond the norm…the level of passion that Hagen possesses — when it comes to experiencing, interpreting and expressing art — is something quite extraordinary.” — The Guardian (Charlottetown) March 2014

“Her Bach and Haydn are outstandingly inventive – this is a young woman ready to take interpretive risks.” — University of Waterloo Gazette

“Exquisite phrasing and a refreshingly imaginative approach make her one to watch.” — Marcia Adair, TheOmniscientMussel.com

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Oct
21
Sat
BOUEY-DOUCET – Violin & Piano
Oct 21 @ 7:30 pm
Two extraordinary Atlantic Canadians join forces to bring their musical gifts back home! Debut Atlantic has teamed up Prince Edward Island violinist Christina Bouey and New Brunswick pianist Pierre-André Doucet for a special program sure to lift your spirits. Two musical powerhouses, this duo is sure to ignite the stage!

Christina Bouey, violin

 

Pierre-André Doucet, piano

 

 

 

 

Christina Bouey, violin

Canadian violinist, Christina Bouey, is hailed by the New York Times for playing “beautifully,” by the New York Post, “When violinist Christina Bouey spun out that shimmering tune, I thought I died and went to heaven,” and by Opera News, for playing “with exquisite, quivering beauty.” Among her awards and prizes include the Grand Prize at the Fischoff Competition, Osaka International Chamber Competition, Hugo Kortchak Award for outstanding achievement in chamber music, Heida Hermann International, Canadian National Music Festival, Queens Concerto Competition, and the Balsam Duo Competition.

Christina has performed as soloist with the Greenwich Symphony, Cayuga Chamber Orchestra, River Cities Symphony, Tonkünstler Ensemble, Metro Chamber Orchestra, Bergen Symphony, Prince Edward Island Symphony, Banff Orchestra, Shattered Glass and the Hemenway Strings. Her solo and chamber credits include Carnegie Hall, Esterházy Palace, Yamaha Center Auditorium, Metropolitan Museum of Art, the Schneider Series, the Dame Myra Hess series, La Jolla Summer Fest, Emilia Romagna Festival, Harvard Club of New York, Montreal Chamber Festival, Kansas International Music Festival and the Indian River Festival. She has also been featured on WQXR New York. Christina has collaborated with artists such as Jeremy Denk, Paul Coletti, Lynn Chang, Steven Doane, Rosemary Elliott, David Geber, Clive Greensmith, Joji Hattori, Nicholas Mann, Irina Muresanu, and Bright Sheng.

Christina graduated from Manhattan School of Music (2013) with a Professional Studies Certificate in Orchestral Performance, studying with Glenn Dicterow and Lisa Kim as a full scholarship student, (2012) with a Professional Studies Certificate, studying with Laurie Smukler, and in 2011 she received a Master of Music, while studying with Nicholas Mann. Her Bachelor of Music (Magnum cum laude) is from The Boston Conservatory; where she studied with Irina Muresanu as a full-scholarship student.

In June 2014, as part of the 150 year celebrations on PEI, professional dancers from Ballet Jazz de Montreal performed a modern dance to her first compositional commission for solo violin, with Christina playing it on the violin. Christina is currently serving as concertmaster of the Cayuga Chamber Orchestra, and is a member/founder of the Ulysses String Quartet. She plays a 1900 Scarampella on generous loan from the Canada Council Instrument Bank.

Pierre-André Doucet, piano

Praised for his colourful playing and fascinating writing, pianist and author Pierre-André Doucet is one of Canada’s most captivating young artists. Mr. Doucet premiered with Symphony New Brunswick in 2007, under maestro Airat Ichmouratov, and has since performed with several orchestras in Quebec and South Africa. An engaging chamber musician and collaborative pianist, he recently won a position in the inaugural Lincoln Center Stage piano quintet aboard the MS Koningsdam, a collaboration between the Lincoln Center of New York and Holland America Line.

In addition to having been heard on Radio-Canada, Espace musique, and CBC Radio’s Next! series, Mr. Doucet has also been featured on CBC Radio 2’s list of 30 Hot Canadian Classical Musicians Under 30. Furthermore, recent musical projects have seen him perform across Canada, as well as to Austria, France, Germany, South Africa, Spain and the United States.

Winner of the prestigious Knigge Piano Competition, the Auditions Jeunes Artistes de Radio-Canada and the Atlantic Young Artist Competition, Mr. Doucet has also been a prize-winner at the Women’s Musical Club of Toronto Career Development Award Competition, the National Music Festival, the Canadian Music Competition, and the CFMTA National Piano Competition. His evocative and compelling readings of contemporary scores also make him a refreshing and vital musician, and have seen him awarded the Best Performance of Contemporary Music Prize at the Ibiza International Piano Competition, the Best Performance of a Canadian Work Prize at the Prix d’Europe, as well as the Dorothy Buckley Prize for the Interpretation of Canadian Music. In fact, his ardent work in disseminating new music have led him to premiere works by Canadian composers J. Mitchell Burke, Richard Gibson, Pierre Michaud and Jared Miller, Cuban composer Evelin Ramon, American composers Mark Carlson and Libby Larsen, and South African composer Hendrik Hofmeyr.

Mr. Doucet recently completed doctoral studies in piano performance at l’Université de Montréal, where he studied with Maneli Pirzadeh . Previously, he studied with Richard Boulanger at l’Université de Moncton. He has received financial support from the Social Sciences and Humanities Research Council of Canada (Joseph-Armand Bombardier Graduate Scholarship), the Conseil des arts et des lettres du Québec and the New Brunswick Arts Council.

Mr. Doucet has also perfected his craft and performed at the Tanglewood Music Center, Music Academy of the West, the Franz-Schubert-Institut, the Tuckamore Chamber Music Festival, the Orford Festival, the Gijòn International Piano Festival, the Internationaler Klaviersommer Bad Bertrich, Opera on the Avalon, the Vancouver International Song Institute and as recipient of a Stern Fellowship at Songfest. Through these experiences, he has benefited from masterclasses with such eminent artists as Marc Durand, David Jalbert, Robert Koenig, Robert MacDonald, John Perry and Paul Stewart (piano), and Elly Ameling, John Churchwell, Helmut Deutsch, Julius Drake, Margo Garrett, Kenneth Griffiths, Linda Hall, Andrew Harley, Robert Holl, Marilyn Horne, Kayo Iwama, Rudolf Jansen, Graham Johnson, Warren Jones, Kiri Te Kanawa, Martin Katz, Jonathan Kelly, Laura Loewen, Christa Ludwig, Carrie-Ann Matheson, Michael McMahon, Francis Perron, Rena Sharon, Alan L. Smith, Cameron Stowe, Sanford Sylvan, Liz Upchurch, Dawn Upshaw, Roger Vignoles, Howard Watkins and Robin Wheeler (vocal piano).

As a writer, Pierre-André Doucet has been awarded the Antonine Maillet-Acadie Vie Literary Award for Kilométrage (Prix Volet jeunesse Richelieu). His first collection of poetry and short stories, Sorta comme si on était déjà là (Éditions Prise de parole), was shortlisted for the Prix littéraire Émie-Ollivier, and earned him the Discovery of the Year award at the Gala des Prix Éloizes.

 

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Oct
27
Fri
LENNIE GALLANT – Searching for Abegweit
Oct 27 @ 7:30 pm

Searching For Abegweit:

The Island Songs & Stories of Lennie Gallant


Woven around the music of the award-winning Island songwriter, this P.E.I. love-letter stars Gallant himself, and presents his folk, roots and pop music, alongside comedic stories, Island legends, and poignant tales in a multimedia format that utilizes film, and visual works from well-known painter Karen Gallant. This dynamic, energetic show is storytelling at its best and includes Acadian and Celtic numbers that will have you dancing in your seat in celebration of Canada’s cradle on the waves. The colourful spectacle will offer Lennie Gallant favourites such as ‘Peter’s Dream’ ‘Tales of the Phantom Ship’ and ‘Island Clay’ along with new Island-themed songs.

The show stars Lennie Gallant with an amazing supporting band comprised of Sean Kemp (violin), Jeremy Gallant (keyboard and percussion), Jonathan Gallant (backing vocals, drums, percussion and mandolin) and Patricia Richard (bodhran, mandolin, banjo, and vocals). Directed by Jac Gautreau.

 

TICKETS GO ON SALE SEPTEMBER 26 (September 19 for Members)

Members: $32, Advance: $34, Door: $36, Youth/Student: $8

All prices include HST.

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Nov
4
Sat
BUFFY SAINTE-MARIE
Nov 4 @ 7:30 pm

 

See the legendary BUFFY SAINTE-MARIE in the intimate setting of King’s Theatre for a once in an lifetime experience.

Cree singer-songwriter, activist, educator, visual artist, and winner of countless awards (Oscar, Juno, and Golden Globe, among them).

Often pegged as a folk singer – particularly by past record labels that either failed or were unwilling to see how far ahead of the curve she was – Sainte-Marie never fully fit in with her ’60s contemporaries. While her peers were singing the centuries-old folk ballads she may have adored, her songs sprang from her own imagination and were effortlessly unique.

Her unwavering resilience has rippled across genres and generations, even as Sainte-Marie’s profile in the United States diminished significantly when she was blacklisted in the ’70s. Recognizing the power of her songwriting and activism, the Lyndon Johnson and Richard Nixon administrations considered her an “artist to be suppressed,” and Sainte-Marie all but disappeared from the US music industry.

Her bold new album, Power in the Blood, begins where it all started more than 50 years ago, with a contemporary version of “It’s My Way,” the title track of her 1964 debut. Its message, about the road to self-identity and the conviction to be oneself, still resonates.  Power in the Blood is a reminder that, five decades on, it is still futile to silence artists or to put Sainte-Marie in any single category. She simply doesn’t fit. Yes, she can inspire you to rise up and take action, but she can just as easily melt your heart with a tender ballad. Go back to “Until It’s Time for You to Go” and you’ll be hard-pressed to say when it was written or for whom. It’s evergreen and, like so much of Sainte-Marie’s work, it’s universal.

“I love words, I love thinking, and I recognize and value the core of a universal idea simplified into a three-minute song,” she says. “What appealed to me in folk music were the songs that have lasted for generations, but I wasn’t trying to be one of those guys. I wanted to give people something original.”

 

 

TICKETS GO ON SALE SEPTEMBER 26 (SEPTEMBER 19 for members)

Members: $75, Advance: $85, Door: $95, Youth/Student: $20

All prices include HST.

*Tickets purchased online will be held at the Box Office for pickup.*
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Nov
9
Thu
LEISA WAY – Oh Canada
Nov 9 @ 7:30 pm

A patriotic concert that will delight audiences of all ages. Oh, Canada celebrates the brilliant Canadian songwriters and creative artists that give our great nation it’s musical heart and soul, while saluting the accomplishments of great Canadians from all walks of life.

Over the past 8 years Way-To-Go Productions has created and produced seven hugely successful concerts that have performed to sold-out audiences at over 60 theatres across North America. We are extremely proud of our reputation for delivering to Presenters the highest calibre of entertainment with superb musicianship. Our singers and musicians are among the best in the world, playing 16 stringed instruments that thrill audiences.

Way-To-Go Productions shows are a cut above the rest, telling fascinating stories, with warmth and humour, while celebrating the music of legendary artists. Audiences are on their feet cheering at the end of each and every performance.

 

Leisa Way – Show Creator, Producer and Performer

Born in Kitchener and raised in Sudbury, ON.  Music was a passion for this little girl with the big voice, and by age 16 she had already sang solo concerts for Queen Elizabeth, Terry Fox, Teddy Kennedy, Wayne Gretsky, and been asked to sing the national anthem at the Special Olympics, the Labatt Curling Briar and for a Canada-Russia hockey game!

Her career truly began when director Walter Learning and the late Don Harron discovered her, casting Leisa as “Anne” in Anne of Green Gables at the Charlottetown Festival in PEI.  Leisa played this role for six seasons, including Canada, USA & Japan Tours, taping for CBC Radio, filming for television, a guest appearance on “Front Page Challenge” & three (3) Royal Command Performances.  Since then her career has taken her to more than 50 countries, perfor

ming at major theatres in Canada and the US in roles as varied as Billie Dawn in Born Yesterday; Judy Garland in End of the Rainbow; Guenevere in Camelot; Peter in Peter Pan (Canada and U.S.); I Love You, You’re Pefect, Now Change! (U.S.A. National off-Broadway tour); Magnolia in Showboat; Maria in The Sound of Music; Dave Carley’s Test Drive and Norm Foster’s The Love List (at six theatres from coast to coast), among many others.

Early in her career, Leisa worked as a marketing/publicity person for various theatres in Canada, and these skills were extremely beneficial when she decided to begin producing and creating shows.  Leisa has now created seven hugely successful concerts that have performed to sold-out houses at over 60 theatres across Canada, and she is currently working on her 8th concert, a celebration of the music of legendary Canadian singer/songwriter, Gordon Lightfoot.

Leisa is very proud of her entire team and the fine musicianship of The Wayward Wind Band, and feels privileged to be able to share this music and the incredible stories with audiences.  There is no greater feeling than connecting with an audience, and Leisa is grateful for the opportunity to put smiles on faces and joy in hearts with these concerts.

Bruce Ley – Piano/Guitars/Arranger

Bruce Ley was born in Hamilton where he started his first band, The Pharoah’s and later joined The Rising Sons, and The Brass Union. Bruce has enjoyed a career that spans 4 decades. Bruce worked for CBC Television for many years and was the piano player for The Tommy Hunter Show for 7 years, and for The Ronnie Prophet Show for 8 years. He worked with Don Everly, Chet Atkins, the ‘real’ Dolly Parton, and Brenda Lee, who coincidentally, was mentored years ago by Patsy Cline. As a writer, Bruce wrote music for the children’s TV shows Sesame Street, and Polka Dot Door, among others. He has also written scores for many television dramas and was nominated for a Gemini for best dramatic score. He scored “The Painted Door”, a film that was nominated for an Academy Award. He has made his mark in the blues field, as lead guitarist and singer in the Trouble and Strife Blues Band. Their debut cd won the award for best blues record of the year (Indie Awards 2007). Bruce formed The Bruce Ley Trio along with our bass player Bob Hewus and Leo Pilon on drums. An avid painter, Bruce was recently chosen to display his work at Curiosity House Gallery’s Emerging Artist Exhibit, and will exhibit in a number of galleries this year. Bruce lives in the hills of Mulmur and was recently musical director for Theatre Orangeville’s production of 18 Wheels and Mesa.
For more info: www.bruceleystudios.com

Fred Smith – Lead Vocals/Guitars/Banjo/Harmonica

Fred is a versatile musician and singer and is grateful everyday for the many opportunities in his satisfying career. For over 35 years Fred has been performing and has backed names including Del Shannon, Leslie Gore, Chuck Berry, The Drifters, Ben E. King, The Supremes, Sam Moore, Spencer Davis, The Platters, The Fifth Dimension, Peter Noone and The Mammas and the Papas… to name a few!

In the 80’s, Fred started his recording studio in Kitchener, Ontario where he produces his own music, corporate voice-overs, commercial music, radio commercials, bands and singer-songwriters. He has had the pleasure of working with award winning actors in post-production for TV and film. Renowned actors such as Colm Feore, Christopher Plummer, Brian Dennehy, Cynthia Dale and Stephen McHattie have sure made things interesting in his studio. Closer to home, Fred recently performed for Drayton Entertainment in A Closer Walk With Patsy Cline, Twist and Shout: The British Invasion and Sorry…I’m Canadian

Bobby Prochaska – Lead Vocals/Bass

Bobby, a native of Toronto, had his life-long love for music fostered early studying voice and piano at The Royal Conservatory of Music. He picked up other instruments along the way, and has enjoyed a versatile career in show business. His own band, Silent C, released an album of original roots-pop-rock, Past Time. Along with arranging and producing, he has also performed with other acts, such as Hank Williams Live 1952, Selena Martin, Jim Clarke, Danny Williams and The Human Statues, and has appeared in concert with The Kitchener/Waterloo Symphony. Bobby has also worked as an actor in film and television, and his roles in theatre have taken him to Broadway and across Canada and The United States. Some theatre credits include: Buddy: The Buddy Holly Story, Crazy For You and Jolson (Mirvish Productions), Eighteen Wheels (Theatre Orangeville), Rock and Roll (Warrack Productions), and Blood Brothers (Drayton Entertainment). One memorable moment where his music and theatre careers collided found Bobby onstage as part of an all-star jam that featured Paul McCartney, Dave Edmunds, Ben E. King, The Crickets and members of The E Street Band.

Nathan Smith – Lead Vocals/Fiddle/Mandolin/Guitar

Growing up in North Bay, Ontario, Nathan began playing classical violin at the age of six, all the while being steeped in Irish and Canadian fiddling. He left home to pursue a Bachelor of Music at the University of Ottawa. While studying and playing viola in the University’s string quartet and the Ottawa Symphony Orchestra, Nathan was also drawn to playing and singing American bluegrass music. After finishing his degree, he recieved a less formal but equally formative education in bluegrass, touring internationally with Ontario band, Hard Ryde, and eventually settled in Toronto to study Jazz and Contemporary Music at Humber College. Soon after, he began singing and playing in his own innovative bluegrass band, The Barrel Boys, who recently released their debut album, Early On. A skilled and versatile performer, Nathan continues to play violin and viola in various orchestras around Ontario, writes and performs his own traditionally inspired original compositions, and performs as a sideman for artists around the big city.

Sam Cino – Drums

Sam comes from a very musical family and has been playing and surrounded by music for most of his life. He studied music at Humber College and has been involved in countless recording projects and performing ensembles over the past 30 years. (Eccodeck, Fiddlestix, King Cobb Steelie, Kinnie Star, plus many more). His music has been used in television and film (CBC, City TV, Fashion Television, Much Music, Musicplus, plus many more). Sam has toured Canada, USA and Europe playing original music. He has also worked with some of the top modern dance companies and as an accompanist including Toronto Dance Theatre, Guelph Youth Dance, and Dance Theatre David Earl. Sam has his own recording/teaching studio in Guelph, Ontario; recording and mixing on many album and television projects. He also plays drums and flute for Yoga classes. Visit his Facebook page

Aaron Solomon – Lead Singer/Fiddle/Banjo/Mandolin/Guitars

Aaron is a world class musician and performer based in the Toronto area. Cape Breton born, his passion for music and fiery fiddling style took root at the age of two when he asked for his first fiddle. He has been wowing audiences ever since as an energetic singer, actor and multi-instrumentalist mastering an astonishing variety of styles having performed with diverse artists such as Shania Twain, Big Sugar, Jeff Healey, Jason McCoy, George Hamilton IV, Mac Wiseman and many others. He has also performed on over 300 recording sessions besides working as a record producer. Recently, his Celtic rock band, Coole Park released their first album, Water Journeys.
www.fiddleheadproductions.com and www.cooleparkmusic.com

Randall Kempf – Lead Singer/Bass

The early 60’s found a young Randall sliding down the water pipe from his second story bedroom at night, trumpet slung over his back, to play Dixieland at the Riverside Tavern where “Fats” the bartender, a larger than life retired Mississippi River Boat banjo player with the toes cut out of his shoes, enchanted him with stories, songs and a shoebox full of old picture postcards, and passed the torch of traveling down life’s musical highway. It led him through Rock’n’Roll in Chicago, R&B in Oklahoma, to the folk/country scene in Canada. A thirty year musical association with Sylvia Tyson which continues with &Quartette& – (he just returned from a tour); Radio, TV and live concerts in Europe and North America allowed him the chance to sing and play with such greats as Buffy St. Marie, George Strait, Johnny Paycheck, and Emmylou Harris.

In musical theatre, he has given over 1,000 performances of “Pump Boys and Dinettes” and “John Grey’s Rock and Roll”. In 2007, he toured the Appalachian States with the Barter Theatre of Virginia’s production of “Man of Constant Sorrow” taking the lovely, mournful Bluegrass music of the Stanley Brothers as re-popularized by the movie, “O Brother, Where Art Thou”… Back to the places of its birth, including Mayberry, NC and Hazard, KY.

He once had lunch with Harold Bradley, who played tic-tac bass on most of the Patsy recordings.

Bob Hewus – Bass

A resident of the beautiful Hockley Valley, near Orangeville, Ontario, Bob has been playing bass on stage and in the orchestra pits of Toronto theatres for over 25 years. He has lived through over 50 professional productions, including 3 years in the original Canadian production of Forever Plaid. He has worked with some of Canada’s finest musical directors, musicians and performers in shows like Closer Than Ever, Stan Rogers – A Matter of Heart, Company, and Leslie Arden – A Meeting of Minds.

Besides theatre work, he has recorded and performed with many jazz groups, Toronto area Big Bands and singer song-writers.

Daniel Barnes – Drums (You Give Me Fever)

Daniel Barnes, was born in Toronto in 1965, began his career singing and drumming with The Micah Barnes Band for club, concert and TV appearances. His work in Jazz, World and Popular idioms is well documented haveing contributed to JUNO nominations or wins with Joe Sealy, Richard Underhill and The Flying Bulgar Klezmer Band. He has toured internationally with Canada’s Holly Cole and Jane Bunnett but most extensively with African singing star Aster Aweke (“The Aretha Franklin of Ethiopia”). Both of Daniel’s self produced Jazz CDs “Culmination” (2003) and “Classic Beauties” (2007), are heard across the nation on the CBC and are favourites at JazzFM in Toronto. He was subsequently nominated for Drummer of the Year at The National Jazz Awards in both years. His quartet has performed at International Jazz Festivals (Toronto and Montreal, among others), and was broadcast from an in studio performance on TV Ontario. He is currently developing a global Jazz sound with The Daniel Barns Groove Trio.

Danny McErlain – Piano (You Give Me Fever)

One of the busiest players in Toronto, pianist Danny McErlain brings craftsmanship, versatility, and a sensitive touch to every setting, from an intimate house party to the stage of Carnegie Hall. Choosing to serve the song and the occasion has won him favour in many circles – Jazz, Classical and the Theatre. Musicians praise his adaptability and extensive repertoire; singers his accompaniment for its elegance and nuance. A musical director and arranger, Danny conducts two Toronto area choirs, the Queen’s Park Civil Service Choir and The Ambiance Singers, and provides rehearsal piano and accompaniment for a wide range of artists. He tours often with Colm Wilkinson and Canadian tenor Mark Dubois. Danny is a frequent choice for private and corporate events, playing solo, in a duo or trio, or as part of a small ensemble. Danny studied Jazz at Humber College and is a grauate of the Royal Conservatory of Music.

Eric St-Laurent – Guitar(You Give Me Fever)

Winner of the SOCAN award for Best Original Composition at the Montreal Jazz Festival and The Best Band Award at the Vienne (France) Jazz Festival, Eric St-Laurent has been featured on over 50 recordings, produced multiple albums, composed scores for short films and theatre, and toured extensively in Europe and Canada. Born and raised in Montreal, Eric studied improvisation in New York before moving to Berlin where he toured with both the big and small names of the German and Scandinavian music scenes. Since returning to Toronto, Eric has recorded and toured with Till Bronner, Dave Liebman, Dave Douglas, Rebekka Bakken, Slide Hampton, Luc de la Rocheliere, Sylvie Paquette, Richard Underhill, David Binney, Jojo Mayer, Carlos Del Junco, Bernard Primeau and represented Canada at the International Guitar Summit in Nice (MIDEM).

Eric Mahar – Guitars/Banjo/Harmonica/Vocals

Born in Stratford, Ontario, and now settled in Bolton, Ontario, Eric is a studied musician and teacher with honours degrees in music and broadcasting from Humber College. He has also studied under acclaimed jazz guitarists Lenny Breau, Ralph Towner, and John Abercrombie. He has been in demand over his long career for his many talents as a guitarist, singer and producer and is known as the “musician’s musician”. Eric has recorded, produced and performed with a multitude of national artists in concert and on T.V. across North America and Europe including: The Mercy Brothers, The Bending the Bows Show, Marie Bottrel, Frank Leahy, Michael Burgess, The Waterloo Symphony, Mac Wiseman, and “new country” sensations Wayward. In the summer of 2000 he was a cast/band member of the theatrical show “Don Messer’s Violin” which played in Prince Edward Island to sold out crowds. He was also a band member with the Shaw Festival.

Sound Crew:

Nelson Anselmo – Sound Engineer

Nelson is pleased to work once again with the incomparable Leisa Way. Currently a sound designer for Drayton Entertainment, Nelson has managed to work at just about every theatre in Ontario over the past fourteen years. His long and varied career has taken him across the province and back again as both a sound designer and engineer. Past productions include The Importance of Being Earnest (Sudbury Theatre Centre), Beauty and the Beast (Theatre Aquarius), Singin’ in the Rain (Huron Country Playhouse), A Closer Walk with Patsy Cline (Theatre Orangeville), and most recently, Cagney, Country Legends, Sweet Charity, and Dance Legends for Drayton Entertainment. Nelson has now added the role of “Daddy” to his resume, with beautiful daughter, Madeleine and son, Matthew. The pay’s not great and the hours are long, but the fringe benefits are unbeatable. Special thanks to Sir Simon for love, wisdom, and attitude checks.

Ben Malone – Sound Engineer

A Hamilton native and graduate of the Theatre Arts – Technical Production program at Sheridan College, Ben has spent the better part of a decade as a sound engineer, (and occasionally lighting tech!), for concerts, theatre, corporate shows and all manner of live events. Highlights over the years include working on Dancap Productions’ The Toxic Avenger rock musical, touring Canada and Europe with Irish Dance show The Magic of Ireland, as well as working on Niagara Falls’ Winter Festival of Lights. On tour he garnered invaluable experience in a variety of fields, not to mention racking up a load of unforgettable times! Ben relishes the opportunity to work with the top notch gang you see before you both playing and singing, and wishes for you to have as much fun watching the show as he’s having working it.

 

 

TICKETS GO ON SALE OCTOBER 10 (October 13 for Members)

Members: $28, Advance: $30, Door: $32, Youth/Student: $8

All prices include HST.

*Tickets purchased online will be held at the Box Office for pickup.*
Note: You can use your credit card without signing up for a PayPal account.
Nov
18
Sat
BREABACH with OLD MAN LUEDECKE
Nov 18 @ 7:30 pm

BREABACH

Voted ‘Folk Band of the Year’ & ’Album of the year‘ at the 2016 Scots Trad Music Awards and twice nominated ‘Best Band’ at the BBC Radio 2 Folk Awards, this Scottish five-piece band deliver a thrilling and unique brand of contemporary folk music that has earned them international recognition on the world and roots music scene as one of the UK’s most dynamic and exciting bands.

After a whirlwind five years traversing the globe, Breabach are delighted to present their fifth studio album, Astar (tr. distance/journey). Inspired by the people and places they have encountered, iconic venues and festivals performed at and the exciting, at times groundbreaking, collaborations they have been involved in. These experiences have brought new shape to their sound whilst simultaneously strengthening their identity.  Astar is a multicultural celebration, embracing the music of four nations in partnership with their own.

Breabach unite the talent of Calum MacCrimmon (pipes/whistles/bouzouki/vocals), Ewan Robertson (guitar/ vocals), James Mackenzie (pipes/flute/whistles), Megan Henderson (fiddle/vocals/stepdance) and James Lindsay (double bass). Since launching their career as winners of the Open Stage Award at Celtic Connections in 2005 the band have steadily moved from strength to strength, picking up accolades and performing at esteemed events along the way.

 

Old Man Luedecke

Not since Loudon Wainwright III has anyone written so honestly, so openly, or with such aching tenderness and good humour about family life. “Saving up for date night so we can have our fight” “The Early Days”. But Luedecke has always insisted on a solid poetic heft in the way he uses words, and highly personal stories are what have always connected him to the universal in his audience. Recording with Tim O’Brien in an intimate setting at home has yielded an album where the songs take the starring role.

Calling to mind the powerful force at the heart of other musical vocal pairings: The Milk Carton Kids, Gillian Welch and David Rawlings, Tony Rice and Ricky Skaggs, or even Tim O’Brien and his work with Darrell Scott, the combination of Old Man Luedecke’s highly personal songs and infectious old-time banjo and guitar, and Tim O’Brien’s mastery of bluegrass harmony, guitars, mandolin, bouzouki, and fiddle adds up to much more than a simple sum of parts.

Nov
24
Fri
DIOMIRA – Dinuk Wijeratne, Nick Halley & Joseph Petric
Nov 24 @ 7:30 pm

Dinuk Wijeratne, piano/composer

The Sri Lankan-born, Canada-based composer-performer Dinuk Wijeratne has been described by the Toronto Star as ‘an artist who reflects a positive vision of our cultural future’, and by the New York Times as ‘exuberantly creative’. His boundary-crossing work sees him equally at home in collaborations with symphony orchestras and string quartets, tabla players and DJs, and takes him to international venues as poles apart as the Berlin Philharmonie and the North Sea Jazz Festival.

Dinuk’s 2016 highlights include JUNO and ECMA wins for his string quartet pieces Two Pop Songs on Antique Poems, and his appointment as Composer-in-Residence of Symphony Nova Scotia.

Nick Halley, percussion

Nick Halley is a drummer/percussionist, keyboardist, composer, and conductor. As a drummer and world percussionist, Nick has performed and recorded internationally with a wide range of musicians including James Taylor, Oscar Castro-Neves, Maucha Adnet, David McGuinness & Revenge of the Folk Singers, Concerto Caledonia, Jefferson Hamer & Eamon O’Leary, Old Man Luedecke & Tim O’Brien, the Chris Norman Ensemble, various Paul Halley ensembles, Suzie LeBlanc, Theresa Thomason, Diomira with Dinuk Wijeratne & Joseph Petric, and occasionally the Nick Halley Band.  The recording Barnum Hill (2008) features Nick and his ensemble performing some of Nick’s original compositions.

 

Joseph Petric, accordion

Accordionist, teacher, writer, published author, producer, artistic director, Joseph Petric made his American debut at Washington’s Kennedy Centre in 1986 and his European debut at London’s St. John’s Smith Square. His performances have drawn reviews from the likes of the London Independent, the Washington Post, Toronto Globe and Mail, Chicago Tribune, Berliner Tage, the Boston Globe, Gramophone and the New York Times.

 

 

 

Performing works composed by their JUNO-award winning founder Dinuk Wijeratne, Diomira‘s music explores Dinuk’s hugely diverse cultural influences: from the Persian poetry of Omar Khayyam and the fantastical prose of Jorge Luis Borges, to the sensuality of Flamenco and the intricate rhythms of the Indian Classical tradition.

Formed in April 2011, the trio’s critically acclaimed literary and globally-inspired program was immediately recorded by the CBC and has since enjoyed repeated nationwide broadcast, garnering audience support for a style that balances sublime music-making with virtuosity.

The ‘soul’ of Diomira’s unique sound is the accordion of Joseph Petric. An internationally renowned recording-artist hailed as “an extraordinary performer” by the Boston Globe, Petric toured with Debut Atlantic for the first time in 1990. He returns this year with Diomira as Debut Atlantic’s Encore tour. World percussionist Nick Halley is a fiery talent who moves effortlessly amongst the major drumming traditions. Sri Lankan-born Dinuk Wijeratne, with an established reputation as a prolific creator of genre-spanning projects, leads the group with his striking compositions and remarkable invention at the piano.

Nick Halley is a drummer/percussionist, keyboardist, composer, and conductor. As a drummer and world percussionist, Nick has performed and recorded internationally with a wide range of musicians including James Taylor, Oscar Castro-Neves, Maucha Adnet, David McGuinness & Revenge of the Folk Singers, Concerto Caledonia, Jefferson Hamer & Eamon O’Leary, Old Man Luedecke & Tim O’Brien, the Chris Norman Ensemble, various Paul Halley ensembles, Suzie LeBlanc, Theresa Thomason, Diomira with Dinuk Wijeratne & Joseph Petric, and occasionally the Nick Halley Band.  The recording Barnum Hill (2008) features Nick and his ensemble performing some of Nick’s original compositions.

TICKETS GO ON SALE OCTOBER 24 (October 31 for Members)

Members: $28, Advance: $30, Door: $32, Youth/Student: $8

All prices include HST.

*Tickets purchased online will be held at the Box Office for pickup.*
Note: You can use your credit card without signing up for a PayPal account.

Click for information about becoming a Member of King’s.

 

 


Dec
1
Fri
DEAR SANTA – Annapolis District Drama Group
Dec 1 @ 7:30 pm

The Annapolis District Drama Group, under the direction of Wayne Currie, presents Norm Foster’s DEAR SANTA just in time for Christmas. For audiences of all ages.

Santa Claus tries to fulfill a child’s special Christmas wish while his staff attempts to overcome a supply shortage at the North Pole. This is a laugh-filled holiday play innocent enough for the youngest boy or girl, and entertaining enough for adults.

 

Tickets go on sale October 31.

$14 Advance, $16 Door, $8 Youth/Student.

Dec
2
Sat
DEAR SANTA – Annapolis District Drama Group
Dec 2 @ 7:30 pm

The Annapolis District Drama Group, under the direction of Wayne Currie, presents Norm Foster’s DEAR SANTA just in time for Christmas. For audiences of all ages.

Santa Claus tries to fulfill a child’s special Christmas wish while his staff attempts to overcome a supply shortage at the North Pole. This is a laugh-filled holiday play innocent enough for the youngest boy or girl, and entertaining enough for adults.

 

Tickets go on sale October 31.

$14 Advance, $16 Door, $8 Youth/Student.

Dec
3
Sun
DEAR SANTA – Annapolis District Drama Group
Dec 3 @ 2:00 pm

The Annapolis District Drama Group, under the direction of Wayne Currie, presents Norm Foster’s DEAR SANTA just in time for Christmas. For audiences of all ages.

Santa Claus tries to fulfill a child’s special Christmas wish while his staff attempts to overcome a supply shortage at the North Pole. This is a laugh-filled holiday play innocent enough for the youngest boy or girl, and entertaining enough for adults.

 

Tickets go on sale October 31.

$14 Advance, $16 Door, $8 Youth/Student.

Dec
10
Sun
HEATHER RANKIN TRIO
Dec 10 @ 7:30 pm

After over twenty-five years of performing with her siblings Heather Rankin comes into her own with A Fine Line, her debut solo record. This is Heather Rankin like you have never heard her before, breaking away from The Rankin Family’s signature sound, and forging her own musical legacy with her poetic, intimate original songs, and an eclectic mix of others. A Fine Line is an exploration of the balance between grief and joy, love and loss, and life and death. While the sound is distinctively Heather’s own, songs like “We Walk As One” conjure evocative imagery from the past she shared with her siblings, and with fans all over the world. Other songs showcase a more upbeat and contemporary side of Rankin, like her rendition of Tears for Fears’ 1985 hit “Everybody Wants To Rule The World,” which features Hip Hop Artist Quake Matthews. It is a social commentary with a Dance Club vibe. A song like David Tyson’s “Valentine” is a heart-felt love song, poignant in its simplicity, where Rankin’s soaring, angelic voice is all that is needed to hit straight to the heart.

It is clear that A Fine Line is a personal record for Rankin, who co-wrote seven of the eleven tracks with David Tyson. “We Walk As One,” the song that her siblings, Cookie and Jimmy, sing backup vocals for, is the album’s most obviously autobiographical track. It speaks to the idea that, although physically separate, those who love and care about one another, continue to move forward together in spirit. Similarly, “I’ve Got Your Back” expresses a sense of unconditional love and support amid a cold and tumultuous world. “Titantically” is the record’s most poetic and ephemeral, the personification of a violin that is rescued from the wreckage of the Titanic, and ripped from the grasp of the person who loved it most in the world. There is a deeply emotional acknowledgement of an inherent sadness to life in A Fine Line, but what is most prominent is Rankin’s resolve to continue to move forward in spite of it. It’s an impressive feat that one album can include a myriad of songs that are individually so different from one another and yet, they come together to create deeply affecting variations on a common theme. When played separately, each track stands assuredly on its own, revealing different aspects of Rankin’s immense talent and her vibrant, complex perspective on life and music. Taken together, one begins to see rich thematic and lyrical intersections, often between the most disparate songs. She begins with laying out the struggle of the human condition, our quest toward finding, and then living as our authentic selves, and then as the album progresses we are plunged into the depths of that struggle. She leaves us, undeniably, with a pure testament of hope and gratitude.

This is an exciting record and an exciting musical departure for Heather Rankin, who sold more than a million records as part of The Rankin Family, sang backup vocals on Carly Simon’s album The Bedroom Tapes and has been featured on the recordings of such artists as The Chieftains, Johnny Reid and Will Ackerman. Perhaps the most dramatic sense of balance in A Fine Line is Rankin’s own graceful sense of balance between her own musical past, present and future. She harkens back to her childhood in Mabou, Nova Scotia and honours her roots in that community, and in her family, but she does so in her own authentic voice. This voice has been shaped by the Gaelic traditions of her home, and by the years she spent singing the songs of her brothers and sisters, but her voice is set free here, and often euphorically so, in a way previously unheard. Proving eloquent songwriting runs in the family, Rankin takes us to more private places in her lyrics, and this mixture of vulnerability and exhilaration makes for a powerfully compelling record. After more than twenty-five years in the business, A Fine Line suggests that we are only just now getting to know Heather Rankin. She has always been known as the youngest of The Rankin Family, but now, as a solo artist, in some ways, she sounds younger, and more timely, than ever.

 

 

TICKETS GO ON SALE NOVEMBER 21 (November 14 for Members)

Members: $32, Advance: $34, Door: $36, Youth/Student: $8

All prices include HST.

*Tickets purchased online will be held at the Box Office for pickup.*
Note: You can use your credit card without signing up for a PayPal account.

Click for information about becoming a Member of King’s.

Dec
17
Sun
MEASHA BRUEGGERGOSMAN
Dec 17 @ 7:30 pm

We are excited to welcome international artist Measha Brueggergosman back to the King’s Theatre stage!

 

Motivated and hungry for new experiences, Ms. Brueggergosman’s career effortlessly embraces the broadest array of performance platforms and musical styles and genres.

On the opera stage, her recent highlights include Giulietta and Antonia Les contes d’Hoffmann, Elettra Idomeneo, Madame Lidoine Dialogues des Carmélites, Jenny in Weill’s Mahagonny, Emilia Marty Věc Makropulos, Hannah in Miroslav Srnka’s Make No Noise, and Sister Rose in Jake Heggie’s Dead Man Walking while on the concert platform she has worked with the San Francisco Symphony and New World Symphony Orchestras and conductors such as Daniel Barenboim, Michael Tilson Thomas, Franz Welser-Möst, Sir Andrew Davis, Gustavo Dudamel and Daniel Harding.

Measha began her career predominantly committed to the art of the song recital and has presented innovative programs at Carnegie Hall, Washington’s Kennedy Center, London’s Wigmore Hall, both the Konzerthaus and Musikverein in Vienna, Madrid’s Teatro Real, as well as at the Schwarzenberg, Edinburgh, Verbier and Bergen Festivals with celebrated collaborative pianists Justus Zeyen, Roger Vignoles, Julius Drake, and Simon Lepper.

Her forthcoming highlights include her Australian debut at the Melbourne Symphony Orchestra and in recital at the Sydney Opera House, a return to the Teatro Real, Madrid and to the Barbican, London with the BBC Symphony Orchestra, as well as performances with the Philadelphia Orchestra and the Royal Liverpool Philharmonic, and Vasily Petrenko.

Her first recording for Deutsche Grammophon, Surprise, includes works by Schoenberg, Satie and Bolcom and is one of the most highly regarded debut albums of recent years. Her subsequent disc Night and Dreams, which features songs by Mozart, Brahms, Strauss, Schubert, Debussy, Duparc and Fauré won several awards and her recording of the Wesendonck Lieder with Franz Welser-Möst and the Cleveland Orchestra earned her a Grammy nomination.

Off the stage, Measha is just as active: autumn 2017 sees the release of her memoir (published by HarperCollins); she appears regularly on primetime TV (most recently advocating on behalf of contemporary Canadian literature); and leading Canadian children across the country in song, in celebration of the nationwide campaign for music education.

Measha Brueggergosman champions the education and involvement of new audiences and holds several honorary doctorates and ambassadorial titles with international charities.

 

 

TICKETS GO ON SALE NOVEMBER 14 (November 7 for Members)

Members: $42, Advance: $44, Door: $46, Youth/Student: $8

All prices include HST.

*Tickets purchased online will be held at the Box Office for pickup.*
Note: You can use your credit card without signing up for a PayPal account.

Click for information about becoming a Member of King’s.