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Sep
25
Tue
JIM CUDDY TRIO
Sep 25 @ 7:30 pm

ALMOST SOLD OUT!!!

For over 35 years, Jim Cuddy has written songs that have become indelible in the soundtrack of Canadian lives.  With the release of his fourth solo album, Constellation, he adds ten songs to that extraordinary songbook.

As one of the founding members and creative forces behind Blue Rodeo, Cuddy has received nearly every accolade Canada can bestow upon a musician, from the Order of Canada and induction into the Canadian Music Hall of Fame, to countless JUNO Awards and a Star on Canada’s Walk of Fame. Behind it all, is a simple devotion to his craft as a songwriter, which remains Cuddy’s tireless pursuit after more than three decades.

“I’ve always found fascination in the smallest details of human behavior,” says Cuddy of his songwriting. “It has been something that I look at and remember, whether it is the details of an exchange that I witnessed or an exchange that I have.  Of course, as you get older there are bigger things that happen in your life that you realize you’ll never totally understand.  There never seems to be a loss of things to write about.”

Constellation was recorded during the summer and fall of 2017 at Blue Rodeo’s East-end Toronto headquarters, The Woodshed. As is the case with all great songwriters, Cuddy’s music has taken on deeper meaning with the passage of time, no small feat considering he has penned some of the most memorable songs in our nation’s canon.  What comes across on Constellation is less of a separation between the bitter and the sweet, as is sometimes evident with Blue Rodeo, but rather an emotional honesty that resonates across the album. On the album’s many memorable moments, such as “While I Was Waiting,” “Lonely When You Leave” and “Cold Cold Wind”, Cuddy’s unmistakable personality shines through, a testament to how his sound has always resisted attempts to be categorized.  This honesty shines through on the title track, “Constellations”.

“’Constellations’ is about a friend of mine who passed away last year.  Some friends and I took him up to my farm and we sort of had our last supper. We had a riotous time, we drank a lot of wine, and we had a lot of laughs, and it was all tempered with the fact that we knew that our friend was not going to survive this illness.

I think all the songs on the album were tempered by that because there’s something very sobering about losing a friend, especially losing a friend that’s younger, because it makes you tally up mortality a bit.  What it made me do on this record is write some more definitive truths for myself. Write things that had wounded me. Write things that I loved and held onto and write about things I had lost.”

Loss is certainly the theme of the beautiful ballad “You Be The Leaver” which takes on the shock of sudden separation in a relationship, though not necessarily a romantic relationship. “I think in everyone’s life there are relationships that become troubled, and either you survive or you don’t.  There are all kinds of relationships that have a great impact on your life, not just the romantic ones.”

Cuddy’s creative drive led him, in 1998, to launch a solo career in conjunction with Blue Rodeo.  With Constellation, he continues to find new ways to balance personal reflection and plainspoken storytelling, remaining both intimate and accessible. The new album also reunites him with his long-time band featuring stalwart Blue Rodeo bassist Bazil Donovan, guitarist Colin Cripps, violinist Anne Lindsay, keyboardist Steve O’Connor and drummer Joel Anderson, all of whom, along with and guest musicians Oh Susanna and Jim Bowskill help make this one of Cuddy’s most musically diverse albums to date.

Indeed, one of the album’s musical highlights is Beggar’s Banquet-influenced “Cold Cold Wind,” a traditional country styled track that ends in a flash and fury.

“By the time I finished the song, I thought you know what, this needs to have some explosive life at the end.  And so I just started playing that little lick, and realized we also had two extraordinary guitar players in the room, with Jimmy Bowskill and Colin Cripps, and thought it would be fun to have a guitar gunslinger moment at the end. You need to have a bit of punctuation on the meaning of the song. Plus it was an opportunity for those two guys to inspire each other and play off each other.”

Yet, the top shelf playing never overshadows Cuddy’s writing, and the symbiotic relationship between the two is a further tribute to the distinctive Toronto roots rock sound that Blue Rodeo all but defined. As Cuddy explains, “For me, one of the joys in making a record happens when I get past the point of worrying about all the things I may or may not have done wrong, and I can sit back and really absorb and appreciate what everyone else’s contribution. There were so many moments like that on this record, where parts were laid down that really accentuated the emotional impact of a particular song. You only get that with a certain caliber of musician, and I’m fortunate to have them in both bands I’m in.”

That sense of trust is evident in Cuddy’s audience as well, especially those who have been along for the ride from the beginning. His keen ear for conveying the highs and lows inherent to all long-term relationships has helped listeners grow along with him.

“We’ve all had to deal with our own bumps and bruises and scarring along the way, and part of this new record is facing that reality,” he says. “But in other ways Constellation is a celebration of coming through it all and feeling grateful for these long-term relationships that have sustained us throughout our lives.”

 

Colin Cripps is a Canadian guitarist and member of Blue Rodeo and the Jim Cuddy Band.

 

 

 

Anne Lindsay has established herself as one of the most engaging and versatile instrumentalists in Canada, adapting her unique violin/fiddle style to the eclectic sounds and musical languages of this country’s rich cultural texture.

 

 

 

 

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Sep
27
Thu
JP CORMIER
Sep 27 @ 7:30 pm

Nobody really knows who J.P. Cormier is for sure. That’s to be expected, believe me.

In 1974 he was a five year old boy, discovering an innate talent for playing the guitar, I had a little hand in that, guiding him through the beginning stages. He learned faster than I could teach.

By the mid eighties, not out of his teens, he was a sideman for bands and artists of many different genres in Alabama, Tennessee, Mississippi, and all across the deep south. As he travelled and worked he added more and more instruments to his arsenal of capabilities. He became indispensable to the bands he worked for.

In the early Nineties, he became a sideman for one of Canada’s favourite sons, Stompin’ Tom Connors and also became a staple of the recordings at Studio H in Halifax. His work with the CBC there, spanned musical, production and arranging duties.

All this before he was 20.

In the mid nineties he reentered the musical scene of his beloved East Coast and the Island called Cape Breton. He exploded onto the trad music scene there as a fiddler, performing some of the most difficult music ever produced by legends like Winston Fitzgerald and Angus Chisholm with a facility that stunned onlookers. Especially those who knew he wasn’t born there, but born in Ontario to Cape Breton parents. Somehow, some way, his music was the real thing, sounding like he had been steeped continually in a handed-down brew of family tradition from the old country.

Nothing could be further from the truth.

His previous gig was in Nashville playing mandolin and banjo in a grammy nominated bluegrass gospel band and performing on the Opry, and playing television shows with the likes of Waylon Jennings. All those people also thought he was one of them, American, reared in the ways of bluegrass, old time and Americana music. They knew he was from Canada, but it just didn’t seem possible.

Then in 1997, something amazing happened.

An album released in Canada, out of nowhere, called Another Morning. This time it was him as a songwriter and a lead singer.

And what a songwriter he turned out to be. Some of the performances on that album are literally part of the musical vocabulary today in the East Coast. Songs like the title cut, and Kelly’s Mountain, The Molly May (co written with his cousin Gervais) and others. It inspired, 25 years ago, some of the biggest names in the business today. People like Dave Gunning, Matt Andersen, David Myles, Joel Plaskett, all of which will tell you: that record changed things.

The Canadian industry thought so too, and it received a juno nomination and won an ECMA.

And that was just the beginning.

36 years later after stepping on stage as professional union musician for the first time at the tender age of 13, JP is still going, and frighteningly, still getting better.

16 albums followed the success of Another Morning, winning 12 more ECMA’s, another Juno nomination, a Canadian Folk Music Award and 5 Music Nova Scotia Awards. Each album was a snapshot of each thing that he can do. There are fiddle albums, Mandolin, Banjo, Guitar, tribute records, songwriting collections, a purely astounding spectrum of talent and musical vision.

His catalogue of recordings and the 150 or so records he’s produced on other artists, resemble the tapestry he weaves in live performance. Where he used to carry 3 and 4 piece bands, he tours alone now.

Just him and the instruments.

People still leave his shows confused, amazed and wondering what they just saw. Did they see a storyteller? A Songwriter? Arguably one of the best guitar players in the business today? Someone who crosses the lines between different instruments like there are no lines? Who was that masked man, anyway?

Accolades aside, and there are many from people like Chet Atkins, Marty Stuart, Waylon Jennings, Gordon Lightfoot; JP sees himself as just a performer. He’s shy, but has a razor sharp wit and lightning sense of humour. He can be reserved or edgy to the point no return. He speaks for soldiers, first responders, other artists, the forgotten and lost. He speaks sometimes only for himself and refuses rebuttal.

Of all the things he is, foremost he is an entertainer. I think one of the best.  After you’ve seen what he does, I’m certain you will too.

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Oct
13
Sat
AMADEUS GUITAR DUO
Oct 13 @ 7:30 pm

On tour from Germany, we are thrilled to welcome audience favourites THE AMADEUS DUO back to King’s Theatre!

Dale Kavanagh & Thomas Kirchhoff have been playing together since 1991, and many composers have dedicated works to the duo. They often perform with orchestras and have given more than 1.400 concerts in 70 European Countries, Asia, and North America and South America in the last twenty years. The duo have produced seventeen CDs (NAXOS / Haenssler Classic), and have established one of the largest and most prestigious Guitar Festivals in Europe (the International Guitar Symposium Iserlohn: www.guitarsymposium.com).

Dale Kavanagh, Thomas Kirchhoff and their daughter Melissa Rachel are residents of Iserlohn, Germany. Amadeus Guitar Duo plays exclusively D’Addario Composite strings and guitars by Antonius Muller, Germany and Dennis Tolz, Germany.

The show will include gorgeous peices from Handel to Borodin. Check out the full program:

Amadeus Duo Concert Program

 

 

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Oct
20
Sat
RYAN COOK: A Tribute to Hank Williams
Oct 20 @ 7:30 pm

King’s Theatre is thrilled to welcome Yarmouth-born country music artist RYAN COOK back to our stage with his hit show honouring HANK WILLIAMS and the Drifting Cowboys.

 

 

Ryan Cook began performing as Hank Williams in 2009 when he performed consecutive sold-out weeks of the Maynard Collins play “The Show He Never Gave” in Sackville, New Brunswick, Canada.Having performed at some of the same stages as Hank Williams including the Ryman Auditorium, and Ernest Tubb Midnight Jamboree in Nashville, TN, Ryan has also studied Hank Williams life through the biographical work of Colin Escott, Sneezy Waters, The Country Music Hall of Fame (TN), Hank Williams Boyhood Home & Museum (AL), and The Hank Williams Museum (Montgomery (AL). Along with band mates the Drifting Cowboys, this two-act feature performance includes 22 songs from the greatest Country Music singer and songwriter of all time. Ryan Cook and company re-animate the sounds of Don Helms haunting steel guitar, Jerry Rivers fiddle arrangements, and the yodelling of the lovesick boy from Georgiana, Luke the Drifter himself: Hank Williams.

 

 

“I feel like I’m watching Hank in his prime on a stage that he was no stranger to… I flew to Nova Scotia to experience the magic for myself, and wasn’t disappointed!” – John Walker, Producer –Music City Roots

 

 

 

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Oct
24
Wed
LES SONGES – Baroque Ensemble
Oct 24 @ 7:30 pm

  • Samantha Louis-Jean, soprano
  • Vincent Lauzer, recorder
  • Camille Paquette-Roy, baroque cello
  • Mélisande McNabney, harpsichord

 

King’s Theatre is pleased to once again partner with Debut Atlantic, one of Canada’s most highly esteemed classical music organizations, to bring some of the most dynamic touring musicians to Annapolis Royal.

The Baroque Ensemble Les Songes consists of soprano Samantha Louis­‐Jean, recorder player Vincent Lauzer, baroque cellist Camille Paquette­‐Roy and harpsichordist Mélisande McNabney. These four dynamic young performers were brought together by friendship and their common passion for the baroque repertoire. In 2015 and 2016, Les Songes were on the road across Canada performing their program Alma Innamorata, with two tours presented by the Jeunesses Musicales Canada.

With this program, they were nominated at the Prix Opus in the Concert of the Year – medieval, Renaissance, baroque music category. Les Songes have performed in the Clavecin en Concert and La Dauphine concert series, at the Bourgie Hall and the Chapelle historique du Bon­‐Pasteur, as well as the International Baroque Music Festival in Lamèque. Their concert Agitata was recorded and broadcast by CBC ICI Musique.

Samantha Louis-Jean, soprano

The Canadian and French soprano Samantha Louis‐Jean received her vocal training at the Maîtrise de Radio-­France, the University of Montreal, then with Marie Daveluy and Yolande Parent. She made her professional debut singing Euridice (Monteverdi, L’Orfeo) with the Montreal Baroque Festical and Lauretta (Puccini, Gianni Schicchi) with the Montreal Symphony Orchestra.

Since then, she has performed with the Portland Trinity Consort, the Orford Festival, the Ensemble Caprice, the Lamèque International Baroque Festival, Clavecin en Concert, the Ensemble Masques, Les Violons du Roy and the Quebec Opera Festival.

Samantha Louis­‐Jean is a winner of the Froville International Baroque Competition, the Prix d’Europe Competition, the Lyndon-­Woodside Oratorio Society of New York Competition and the Jacqueline Desmarais Foundation. She is a grant recipient of the Conseildes Arts et des Lettres du Québec, the Canada Council of the Arts and the Jeunesses Musicales du Canada.

Vincent Lauzer, Recorder

Révélation Radio­‐Canada 2013-­‐2014 and Breakthrough Artist of the Year at the 2012 Opus Awards, recorder player Vincent Lauzer is the artistic director of the Lamèque Internation Baroque Festival in New Brunswick. Winner of several prizes in nation and international competitions, he has recently been awarded the Fernand Lindsay Career Award, a scholarship given to a young promising Canadian musician for the development of an international career.

A versatile performer, he plays with Flûte Alors!, Les Songes, the Pacific Baroque Orchestra, Les Violons du Roy, La Bande Montréal Baroque, Les Idées Heureuses, Arion Baroque Orchestra and La Cigale. Vincent has also performed for various series and festivals in Canada and the United States, as well as in Mexico, France, Germany, Spain and Belgium.

Mélisande McNabney, harpsichord

A Graduate of McGill University and the Conservatoire de musique de Montréal, Mélisande was granted her Master’s degree from the Amsterdam Conservatory in June 2010, where she studied harpsichord, continuo and fortepiano in the classes of Bob van Asperen and Richard Egarr. She is now pursuing her Doctorate degree at McGill University under the guidance of Hank Knox and Tom Beghin, thanks to the support of the Joseph-Armand Bombardier Canada Graduate Scholarships Program.

Currently based in Montréal, Mélisande is regularly invited to play with ensembles such as Les Violons du Roy, Arion Orchestre Baroque, Les Idées Heureuses, the Theatre of Early Music and Ensembles Caprice. She is also a member of Pallade Musica and ensemble Les Songes, which will be on tour with Jeunesses Musicales Canada in the 2015-2016 and 2016-2017 seasons. Mélisande has received scholarships from the Canada Council for the Arts, the Banff Centre, the FQRSC and the CALQ.

Camille Paquette-Roy, baroque cello

Having shown an interest and talent for music at a very early age, cellist Camille Paquette-Roy was admitted to the Music Conservatory of Trois‐Rivières in 1999, where she studied under Jean-Christophe Guelpa for ten years. In 2009, she graduated from the conservatory of Trois­‐Rivières with a Diplôme d’Études Supérieures. In the same year, she began her Master’s degree at McGill University under Brian Manker, which she completed in 2011.

A versatile artist, Paquette-Roy works frequently with a variety of ensembles, including Les Songes, l’Orchestre Baroque Avion, Caprice Ensemble and Quatuor esca. In addition to her activities in the Classical and baroque realms, Paquette-Roy is an active performer in Montréal’s pop music scene with artists such as Ingrid St-Pierre, Jean Leloup and Half Moon Run.

 

 

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Oct
28
Sun
ANNAPOLIS COMMUNITY HEALTH CENTRE VARIETY SHOW
Oct 28 @ 2:00 pm

Annapolis Community Health Centre Auxiliary
will be hosting its Annual Variety Show on
Sunday October 28th , 2pm at Kings Theatre.

Rush seating at the door.

Check back soon for more details.

 

Nov
3
Sat
LYNNEA ROSE & THE MODERN GRASS
Nov 3 @ 7:30 pm

A Maritimer through and through, Lynnea Rose was born in Nova Scotia and raised by Nova Scotians who were born and raised in Nova Scotia — you get the point. Rose’s songs reminisce about long winters and hard times both past and present and explore the paradox of an eighth generation Maritimer; The familiarity of a longstanding traditional and cultural belonging and a desire for change.

Her new album is not merely a collection of solid, trad infused folk songs, ‘Rocking Chair’ is a musical collaboration with some of the country’s finest and freakiest musicians and a giant step in a new direction. Rose, along with producer Tom Terrell, have assembled a bizarre and brilliant group of musicians and clearly given them free reign. The result is a diverse album; obviously fronted and held together by the unmistakeable east coast country girl and granddaughter of a fisherman but infused with bona fide bluegrass, jazz manouche, country & folk sounds and sensibilities.

The Modern Grass makes original music fueled by passion, ingenuity and a love and appreciation for traditional forms of art & music. The Modern Grass was born in 2011 and have since released 3 award winning albums. The MG Be – bops, doo- wops, and yeehaws it’s way through roots music freely, setting the mood for real life rambling, gambling and heartbreaking storytales.  The MG has toured North America extensively and relentlessly.  An array of exceptional musicians have played and recorded with the Modern Grass over the years.

 

The original cast are:

  • Tom Terrell – Guitar, Lead Vocals
  • Andrew Sneddon – Resophonic guitar, Vocals
  • Adam Pye – Contra Bass
  • Donald Maclennan – Violin, Vocals

Accolades

  • 2014 Canadian Folk Music Awards Producer of the Year (Tom Terrell & Karl Falkenham for City Ghosts)
  • 2014 Music Nova Scotia Bluegrass/Americana Album of the Year – City Ghosts
  • 2012 Music Nova Scotia Roots/Traditional Album of the Year – High on the Mountain
  • 2012 Music Nova Scotia Bluegrass/Country Album of the year – High on the Mountain
  • 2011 Bluegrass/Country album of the year nominee – The Modern Grass Quartet

 

 

 

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Nov
24
Sat
Verdi’s AIDA – Met Opera
Nov 24 @ 2:00 pm

Angela M. Brown in the title role and Andrzej Dobber as Amonasro

Aida – In what should be a highlight of the new season, soprano Anna Netrebko sings her first Met Aida, going toe-to-toe with mezzo-soprano Anita Rachvelishvili as Amneris. Later in the season, a second star-studded cast takes over, with Sondra Radvanovsky and Dolora Zajick as the leading ladies.Tenors Aleksandrs Antonenko and Yonghoon Lee alternate as Radamès, and Nicola Luisotti and Plácido Domingo take the podium for the Met’s monumental production.

 

  • Estimated Run Time: 3 hrs 36 mins
  • Sung In Italian, Met Titles In English

Conductor: Plácido Domingo

 

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Dec
2
Sun
LIZZY HOYT TRIO – Ancient Carols for a Winter’s Night
Dec 2 @ 7:30 pm

From Winnipeg, Lizzy Hoyt is an award-winning songwriter who delivers music with soaring melodies that are rooted in Celtic and folk traditions. Not only does she have a gorgeous voice, but she’s a master of the fiddle, guitar, and harp… and she step dances too!  Her Christmas concert of ancient carols brings a Celtic flavour to the season.

Lizzy Hoyt is one of Canada’s most powerful Celtic-folk artists. Known for bringing Canadian history to life with  music, her songs like “Vimy Ridge”, “White Feather”, and “New Lady on the Prairie” have garnered awards and nominations while also connecting strongly with audiences across the country. In 2013, Lizzy was awarded the Queen’s Diamond Jubilee Medal by the Governor General of Canada for her outstanding contribution to commemorating Canadian veterans and history through music.

A talented multi-instrumentalist, Lizzy toured for ten years as a side musician before pursuing her own projects. She has been praised for her mastery of the fiddle, guitar and harp by the Edmonton Journal, Calgary Herald, Penguin Eggs, Bluegrass Unlimited, Star News, and more. CBC’s Chris Della Torre calls her “a musician’s musician” and notes “fans that want their artists to play well can find that with [her]”. In addition to this praise, her voice has been described as “otherworldly”, “angelic”, “sweet”, and “pure” and as a singer, she has been recognized for her clarity and precision.

Lizzy is a full-time musician who travels and tours throughout Canada during the year with her trio. She has performed at renowned folk festivals (Edmonton Folk Festival, Montreal Folk Festival, Goderich Celtic Roots Festivals), folk clubs (Calgary Folk Club, Nickelodeon Folk Club, Northern Lights Folk Club) and through performing arts networks across the country. Throughout her career, she has released four independent albums and two music videos.

 

 

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Dec
8
Sat
COCO LOVE ALCORN
Dec 8 @ 7:30 pm
Soul-inspired singer-songwriter Coco Love Alcorn is one of the most charismatic, compelling and genuine performers you will experience. When she performs, a kind of magic happens. She has a capacity like no other to inspire and fill the space with a sense of joy. Her shows are an empowering and unforgettable experience.
**This concert at King’s Theatre will include an extraordinary opportunity for local singers to experience a workshop with Coco in the day, and then sing with her as part of her Mainstage show that night. Check back here for details.** 

More about Coco

Coco Love Alcorn has always followed her spirit, but never so literally as with her latest album, Wonderland. The songs spring from her personal journey, but true to her nature, Coco offers a universal interpretation that invites all listeners to jump in and sing along.

During a 5 year break from heavy touring to raise her daughter Ellie, Coco began working on a new album. She wanted to explore songwriting from a new perspective. Coco was curious to see what would happen if she put down her guitar and wrote with just her voice. She began a journey of layering vocals and rhythms on a 5 track looper. In the fall of 2014 she released a video of herself performing one of these first looper layered songs, ‘The River’.

Something amazing and unexpected happened, the video started to spread across the internet and into the world of community choirs. These choirs started to learn Coco’s looper arrangement and perform The River in their own concerts. Coco has always loved group singing and encouraging anyone who wants to sing to do so, but this grassroots spread of ‘The River’ was a complete surprise. To date there are about 20 choirs singing ‘The River’ across Canada, the States and even in the UK.

As this was happening, Coco was continuing to write and record the songs for this album. She also continued sharing songs online, performing them live and in turn let the listeners shape what this album became. As her new music was inspiring choirs to sing her songs, these choirs in turn were inspiring Coco. And as Coco traveled across Canada performing between recording and home time, these new songs became infused with the spirit of connection. Without choirs grabbing a hold of The River, and fans already connecting so deeply with her new material, this would have been a completely different album.

Just like her career – which has spanned over 20 years, 10 albums, cross-canada tours, collaborations, festival appearances, award nominations and notable success in TV and film licensing – creating this album has been a journey. And it took someone with a spirit like Coco’s to navigate this path.

“Throughout my career I have explored across many genres, collaborations and projects, taking a windy path to get to here. But I have loved every step of my journey and trusted my inner curiosity to take me where it wanted to go. I always thought my end game was to invent a new genre or create a brand new sound, to somehow mash it all elegantly together.

It wasn’t till I took a step back and a break from touring that a new idea came. After all those years of thinking I was chasing down a sound it turns out I was searching for the right feeling. That feeling is connection; connection with the listener, the moment, the music and the spirit.

Everything I’ve ever done has led me to here. To Wonderland, a collection of songs that are an invitation to connect, an invitation to sing, and an invitation to myself to dig deeper than ever before.”  ~ Coco Love Alcorn

“Coco is the ultimate musical spark plug… an electrical connector through which the creative energy flows. In my 30 years of touring around the world, I have never seen another performer able to bring people together like Coco does.” – James Keelaghan – Artist Director, Summerfolk and renowned Canadian singer/ songwriter

 

 

 

 

 

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