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Feb
27
Tue
CALL ME BY YOUR NAME
Feb 27 @ 7:30 pm

King’s Film Society Presents

Call Me by Your Name
ITALY/FRANCE/BRAZIL, 2017
English, Italian, French, German w/ English
subtitles
130 minutes
Drama/Romance

In the summer of 1983, in the north of Italy, Elio Perlman, (Timothée Chalamet) a 17-year-old American spends his days in his family’s 17th century villa lazily transcribing music and flirting with his friend Marzia (Esther Garrel). One day Oliver (Armie Hammer), a 24-year-old graduate student working on his doctorate arrives as the annual summer intern tasked with helping Elio’s father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture. Soon, Elio and Oliver discover a summer that will alter their lives forever. CALL ME BY YOUR NAME, directed by Luca Guadagnino and written by James Ivory, is based on the novel by André Aciman.

Review from The Guardian
The top 50 Films of 2017: No. 1 Call Me By Your Name

“Each element is carefully calibrated, but deployed with consummate grace—this is a film to rush to, and to then savor every minute of.”
The Atlantic

 

 

Tickets: $10 Adult, $9 with Film Buff Card, $8 Youth.

All prices include HST.

General admission seating.

Doors open 45 minutes before showtime.

Mar
10
Sat
WHO’S AFRAID OF VIRGINIA WOOLF?: National Theatre
Mar 10 @ 2:00 pm
WHO'S AFRAID OF VIRGINIA WOOLF?: National Theatre

Edward Albee’s

Who’s Afraid of Virginia Woolf?

Sonia Friedman Productions present Imelda Staunton (Gypsy, Vera Drake, the Harry Potter films); Conleth Hill (Game Of Thrones, The Producers); Luke Treadaway (The Curious Incident of the Dog in the Night-Time, Fortitude, The Hollow Crown) and Imogen Poots (A Long Way Down, Jane Eyre) in James Macdonald’s new production of Edward Albee’s landmark play, broadcast live to cinemas from the Harold Pinter Theatre, London.

In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

  • Imelda Staunton
  • Conleth Hill
  • Imogene Poots
  • Luke Treadaway

 

TICKETS: $20 General/ $16 Members / $8 Youth

Prices include HST.

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198 tickets remaining.

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C $20.00
C $8.00

Mar
13
Tue
FACES PLACES
Mar 13 @ 7:30 pm

 

 

 

King’s Film Society Presents

Faces Places
FRANCE, 2017
French w/ English subtitles
89 minutes

Now in her eighties, Agnès Varda remains the world’s most youthful filmmaker. Her latest nonfiction film is an inspired collaboration with JR, the mysterious French street artist. Like many of Varda’s works, Faces Places is a kind of travelogue in which the wonder of each locale visited is only as potent as the populace whose existence affects it. Their plan is simple: Varda and JR roam from place to place in JR’s truck, which is decorated to resemble a camera. In each place they visit, they meet people — coal miners, cheese makers, a Herculean farmer — and JR creates immense monochromatic portraits of them. Our endearing duo then affixes these portraits to various edifices all over town, quite literally, merging faces with places.

The landscape Varda and JR traverse becomes a visual record of their encounters. Among Faces Places’ most amusing refrains is Varda’s annoyance at JR’s refusal to remove his sunglasses, which she says reminds her of Jean-Luc Godard in the ’60s. The contrast between Varda’s French New Wave cohort, who represents her six-decade legacy, and JR, who embodies her vibrant present, speaks volumes about the scope of this amazing auteur’s durability and persistence of vision.

“What emerges from them, and from the relationship between the 88-year-old filmmaker and the thirty-something photographer, is a poignant meditation on everything from self-revelation in the age of the selfie to change in rural France. This rich cross-generational exchange speaks to the persistence of French cinematic culture – Varda’s relationship with the pioneering filmmaker Jean-Luc Godard is a recurring theme – while the doc itself is a delight, subtle, touching and entertaining.”
–The Globe and Mail

“Agnes Varda is almost 90 years old and she is still making films. That alone should be cause for dancing in the streets. But wait, there’s more: Agnes Varda is almost 90 years old and she is still making fantastic films. Searching, compassionate, provocative, funny, sad ones. This is one of them. You should see it, and then go dancing in the streets.”
RogerEbert.com

 

 

Tickets: $10 Adult, $9 with Film Buff Card, $8 Youth.

All prices include HST.

General admission seating.

Doors open 45 minutes before showtime.

Mar
27
Tue
THE SQUARE
Mar 27 @ 7:30 pm

 

 

 

 

King’s Film Society Presents

The Square

SWEDEN, 2017
English/Swedish w/ English subtitles
145 minutes
Comedy/Drama
Winner of the Palme d’Or

Swedish provocateur Ruben Östlund, the director of Force Majeure, returns with The Square, one of his most audacious pieces to date and winner of the prestigious Palme d’Or at Cannes. A spot-on, no-holds-barred satire of the postmodern art world, the film follows Christian (Claes Bang), the self-centred, and hopelessly befuddled curator of Sweden’s most cutting- edge art museum. Christian’s attempts to promote his exhibits are deflected by personal misfortunes and culminate with a less than successful online campaign.

The Square is full of brilliant and dazzling set pieces, including an onstage interview gone awry and a performance piece gone even more
so. Östlund refuses to score easy points, outlining the challenges that face artists trying to examine the increasingly complex and absurd world we live in and dealing with the privileged members of the audience who consider art only as a social statement or financial investment.
The Square is a poignant satirical drama reflecting our times. Also starring Elizabeth Moss and Dominic West.

“The Square is darkly amusing, but it’s also bracingly honest in its absurdity, and that’s what kept me coming back to each one of its wonderfully knotty scenarios even months after seeing it.”
–The Atlantic

“Swedish writer-director Ruben Östlund takes modern society’s temperature and finds it dangerously overheated in the madly ambitious and frequently disquieting The Square.”
The Hollywood Reporter

 

 

 

 

Tickets: $10 Adult, $9 with Film Buff Card, $8 Youth.

All prices include HST.

General admission seating.

Doors open 45 minutes before showtime.

Apr
10
Tue
BOMBSHELL: THE HEDY LAMARR STORY
Apr 10 @ 7:30 pm

King’s Film Society Presents:

BOMBSHELL: THE HEDY LAMARR STORY

USA, 2017
English
86 minutes
Documentary. Film History

 

Known for her iconic look, wild-child antics, and scandalous private life, Hedy Lamarr was revered as “the most beautiful woman in the world” in 1940s tabloids. Yet, few know her true story; an undiscovered genius, she pioneered a secret communication system intended to guide US torpedoes during WWII, which became the basis for contemporary technologies like GPS, Bluetooth, and WiFi. Though she would attempt to patent the idea, the US Navy thought she was better suited to selling war bonds and entertaining troops instead. Sadly, the name
Hedy Lamarr would later only be known for the inventor’s infamous six marriages, affairs, drug use, and obsession with plastic surgery. Throughout her life, Lamarr’s face proved to be a blessing and a curse, opening one door, but halting the possibility of opening another. Produced by Susan Sarandon, the film is a trailblazing tribute to women whose contributions have gone unrecognized and an inspiration for future generations of female inventors to come.

What makes “Bombshell” intriguing is not just Lamarr’s gift for invention, it’s also what a fiery individualist she was, someone who had no regrets about her eventful life (“You learn from everything”), not even its racy, tabloid elements.
The Chicago Tribune

 

 

Tickets: $10 Adult, $9 with Film Buff Card, $8 Youth.

All prices include HST.

General admission seating.

Doors open 45 minutes before showtime.

Apr
17
Tue
LUCKY
Apr 17 @ 7:30 pm

King’s Film Society Presents

LUCKY

USA, 2017
English
88 minutes
Comedy, drama

Having outdrank, outsmoked, and outlived all of his contemporaries in his off-the-map desert town, fiercely independent 90-year-old atheist Lucky (the late Harry Dean Stanton in his final role) finds himself unexpectedly thrust into a late-in-life journey of self exploration. Living alone in the blistering Arizona heat, he slopes along through life, occupying his time by walking around the dusty streets of his speck of a southwestern town. Lucky whiles away his time in a fixed routine that starts with yoga at home and breakfast at a diner, moves on to crossword puzzles and TV shows, and ends in a bar among life-worn regulars. (One of them, played by David Lynch, is grieving over the loss of his pet tortoise.) It’s never clear what Lucky has done with his life, but, with the first sign of failing health, he grows reminiscent, dredging up old regrets in gruffly sentimental monologues. Lucky makes for an incredible showcase for Stanton’s unique mastery of the wry, cantankerous wisdom that became his trademark. The film is a cinematic love letter to its legendary leading man, as well as a deeply felt meditation on mortality, loneliness, spirituality, and human connection.

“The late, great Stanton gets the perfect send-off playing an atheist loner kicking his own mortality down the road like a tin can that got in his way. His character may not believe in God. But what kind of fool doesn’t believe in Harry Dean Stanton?”
Rolling Stone

 

Tickets: $10 Adult, $9 with Film Buff Card, $8 Youth.

All prices include HST.

General admission seating.

Doors open 45 minutes before showtime.

Apr
27
Fri
DON’T DRESS FOR DINNER – Annapolis District Drama Group
Apr 27 @ 7:30 pm

When Jacqueline announces she is off for to visit her mother, an ideal opportunity presents itself for her husband Bernard to inveigle his chic, Parisian mistress Suzanne into their country cottage for the weekend. Why not invite along his best friend Robert too, as an alibi? And to make the arrangements easier, he’s hired a Cordon Bleu cook to rustle up the necessary gourmet delights.

The cook? Ah, that’ll be street-wise Suzette. And her jealous husband, George? Well, he’s a BIG fella! And did we mention that elegant Jacqueline is having a torrid secret affair with the rakish Robert?

Throw in a dash of Chanel and a glug or two of Cointreau – the stage is set for a hilarious, fast moving farcical romp of mistaken identities, illicit trysts, quick-thinking improvisations, bribery and seduction, as the plans for passion turn into a nuptial nightmare!

 

Written by Marc Camoletti, and adapted by Robin Hawdon, “Don’t Dress for Dinner” is brought to King’s Theatre by the Annapolis District Drama Group this spring.

  • Director – Simon Bonnington
  • Bernard – Tim Danttouze
  • Jacqueline – Colleen Rowland
  • Robert – Simon Bonnington
  • Suzette – Alexi Payzant
  • Suzanne – Miriam Orlando
  • George – Scott McQuillin

Performances:

  • Friday April 27th at 7:30pm
  • Saturday April 28th at 7:30pm
  • Sunday April 29th at 2:00pm

Tickets: Door $16, Advance $14, Youth/Student $10

Buy Tickets

200 tickets remaining.

C $14.00
C $8.00

Apr
28
Sat
DON’T DRESS FOR DINNER – Annapolis District Drama Group
Apr 28 @ 7:30 pm

When Jacqueline announces she is off for to visit her mother, an ideal opportunity presents itself for her husband Bernard to inveigle his chic, Parisian mistress Suzanne into their country cottage for the weekend. Why not invite along his best friend Robert too, as an alibi? And to make the arrangements easier, he’s hired a Cordon Bleu cook to rustle up the necessary gourmet delights.

The cook? Ah, that’ll be street-wise Suzette. And her jealous husband, George? Well, he’s a BIG fella! And did we mention that elegant Jacqueline is having a torrid secret affair with the rakish Robert?

Throw in a dash of Chanel and a glug or two of Cointreau – the stage is set for a hilarious, fast moving farcical romp of mistaken identities, illicit trysts, quick-thinking improvisations, bribery and seduction, as the plans for passion turn into a nuptial nightmare!

 

Written by Marc Camoletti, and adapted by Robin Hawdon, “Don’t Dress for Dinner” is brought to King’s Theatre by the Annapolis District Drama Group this spring.

  • Director – Simon Bonnington
  • Bernard – Tim Danttouze
  • Jacqueline – Colleen Rowland
  • Robert – Simon Bonnington
  • Suzette – Alexi Payzant
  • Suzanne – Miriam Orlando
  • George – Scott McQuillin

Performances:

  • Friday April 27th at 7:30pm
  • Saturday April 28th at 7:30pm
  • Sunday April 29th at 2:00pm

Tickets: Door $16, Advance $14, Youth/Student $10

(Prices include HST)

Buy Tickets

200 tickets remaining.

C $14.00
C $8.00

Apr
29
Sun
DON’T DRESS FOR DINNER – Annapolis District Drama Group
Apr 29 @ 2:00 pm

When Jacqueline announces she is off for to visit her mother, an ideal opportunity presents itself for her husband Bernard to inveigle his chic, Parisian mistress Suzanne into their country cottage for the weekend. Why not invite along his best friend Robert too, as an alibi? And to make the arrangements easier, he’s hired a Cordon Bleu cook to rustle up the necessary gourmet delights.

The cook? Ah, that’ll be street-wise Suzette. And her jealous husband, George? Well, he’s a BIG fella! And did we mention that elegant Jacqueline is having a torrid secret affair with the rakish Robert?

Throw in a dash of Chanel and a glug or two of Cointreau – the stage is set for a hilarious, fast moving farcical romp of mistaken identities, illicit trysts, quick-thinking improvisations, bribery and seduction, as the plans for passion turn into a nuptial nightmare!

 

Written by Marc Camoletti, and adapted by Robin Hawdon, “Don’t Dress for Dinner” is brought to King’s Theatre by the Annapolis District Drama Group this spring.

  • Director – Simon Bonnington
  • Bernard – Tim Danttouze
  • Jacqueline – Colleen Rowland
  • Robert – Simon Bonnington
  • Suzette – Alexi Payzant
  • Suzanne – Miriam Orlando
  • George – Scott McQuillin

Performances:

  • Friday April 27th at 7:30pm
  • Saturday April 28th at 7:30pm
  • Sunday April 29th at 2:00pm

Tickets: Door $16, Advance $14, Youth/Student $10

 

Buy Tickets

200 tickets remaining.

C $14.00
C $10.00

May
8
Tue
FILM STARS DON’T DIE IN LIVERPOOL
May 8 @ 7:30 pm

King’s Film Society Presents

FILM STARS DON’T DIE IN LIVERPOOL

UNITED KINGDOM, 2017
English
105 minutes

The sultry Gloria Grahame won a best supporting actress Oscar for her performance in 1952’s The Bad and the Beautiful. She appeared in films alongside Humphrey Bogart, Robert Mitchum, Lana Turner, Kirk Douglas, and a bevy of other icons. Her star blazed brightly then faded quickly, but she did not disappear. How Grahame spent her later years is the subject of this beautiful — and rare — ode to life after fame. Film Stars Don’t Die in Liverpool features Annette Bening as Grahame and Jamie Bell (Nicholas Nicholby, Billy Elliot), as her lover Peter Turner, a working-class English actor. Drawing on Turner’s memoir of the same name, director Paul McGuigan fashions a moving narrative that embraces the high and lows of the erstwhile Hollywood star’s time spent living in Liverpool in the 1970s.
As the two embark on their romance, we follow them from England to Los Angeles, from stage to hospital, and from laughter to tears. Unorthodox and sincere, the film is the kind of showbiz love story seldom depicted onscreen.

“There is no denying the emotional force that this film develops, and for that, we can credit talented filmmakers and two stars working at the height of their powers.”
–The Hollywood Reporter

“What an astounding actress Annette Bening is. And she’s at her very best playing Gloria Grahame, a screen siren of the 1940s and 1950s, who faced a health crisis in her final days with the help of a new love (a terrific Jamie Bell).”
– Rolling Stone

 

 

 

 

Tickets: $10 Adult, $9 with Film Buff Card, $8 Youth.

All prices include HST.

General admission seating.

Doors open 45 minutes before showtime.